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xw ■*n " ■ r I 0 «p 212*11 - 2 • « ii 2 jj la V**” [ l±jk fraiAn^Ous I It Ijs -ia > • L>.<llliii - ■VA / NEVER SUCH GLAMOR ON THE SCREEN No single motion picture ever co- starred as many glamorous creatures as does "How To Marry A Millionaire.’’ This is accentuated by the fact that from August this year through February of 1954, eye-catching portraits of Marilyn Monroe, Betty Grable and Lauren Bacall, as they appear in this romantic comedy, will have adorned the covers of 417 magazines published and circulated in this country, South and Central Americas, Europe, Australia, Japan and the Phil- ippine Islands on 1053 occasions! In "How To Marry A Millionaire’’ I Miss Monroe plays a naive blonde—this time funnier than she was in "Gentle- men Prefer Blondes” because of a char- acter "gimmick” which presents her as a near-sighted girl too vain to wear glasses. As a result she constantly bumps into things, mostly men. While Betty Grable does not dance in this production, the famous Grable trade-mark, nigh-perfect legs, are much in evidence. Lauren Bacall makes a switch from her low-voiced "whistle-bait” roles to playing a saity-balking comedienne. As "Schatze” Page, a model who hates herself for having fallen for a handsome, but poor "gas-pump jockey,” she leads roommates in their scheme to marry mil- lionaires. In their penthouse, the three models— Marilyn Monroe, Betty Grable and Lauren Bacall, having spent the last of their money on champagne, relax in their new luxury as they discus men, and ways and means of trap- ping three of the world’s richest men. Marilyn suggests she trap "Mr. Cadillac,” but is as- tonished to learn that’s the name of a car, not a millionaire. La Grable would settle for "Lord Tarleton” but is quickly reminded that’s the name of a cigarette and hotels. Lauren Bacall, frustrated by a rude experience in her first love affair, says she wants just a man. . . so long as he is "loaded”—with money! A refreshingly outspoken woman devoid of neuroses, Miss Bacall knows what she wants and is not backward about asking. When Nunnally Johnson was looking for a comedy to film in CinemaScope, it was Miss Bacall who suggested an adaptation from the play, "The Greeks Had A Word For It.” Johnson took her suggestion, using one-third "The Greeks Had A Word For It,” one-third Johnson and one-third "Loco,” a play, to script "How To Marry A Millionaire. Miss Bacall’s part thus was tailored for her. Left, Marilyn Monroe, who became a plat- inum blonde for this picture, and David Wayne as a young apartment-house owner hiding from government agents until he can prove his in- nocence of income tax fraud.