We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
lity, voice and n this picture sition as the to reach the ihnnie Ray, is y to reach the hnnie Ray, as e stage to be- our heart out” You Believe” icter that will "There’s No ess, Johnnie ren’s top new ongs highlight em: &'A Man Caters Him” larilvri Monroe 5ailo’|s Not A ttoot“, ” sung nor and dance "If You Be- rlin songs in- ■ised,” which ;e of beauties; Choo Leaves -oduction num- and Dailey; "Anything You Can Do I Can Do Better,” rendered by Merman, Dailey, O’Connor and Gaynor; "A Pretty Girl Is Like A Melody” and "Simple Melody,” both sung by Mer- man and Dailey; "Lazy,” sung by Mar- ilyn Monroe and O’Connor; "After You Get What You Want, You Don’t Want It,” sung by Miss Monroe; "Marie,” sung by a trio; "Alexander’s Ragtime Band,” a terrific production number with the entire cast; "Tropical Heat Wave,” a torrid production number led by Miss Monroe, and the title song that brings the musical drama to a rousing finish. Walter Lang, with his direction of "There’s No Business Like Show Busi- ness,” proves again he is the peer of all directors of screen musicals. With all the lavish musical numbers, he balances song and dance with story content, with a deft and unerring touch. Robert Alton, the choreographer, has given the production numbers eye-feasting novelty, striking effect and pace. Leon Shamroy’s photog- raphy, enhanced by DeLuxe Color, gives the picture a splendor and radiance hither- to unequalled. In brief, there has never been a musical like "There’s No Business Like Show Business.” t BEEN SUCH MUSICAL COMEBY ENTERTAINMENT [1 Page 19A