The Edison phonograph monthly (Jan-Dec 1908)

Edison Phonograph Monthly, Sept., 1908 23 dove" conversation of the coon and his "gal," when she questions the strength of his devotion. The melody is typical coon " rag," and never have these sterling artists done anything in which the rhythm and swing of the music was better emphasized. Orchestra accompaniment; words and music, Kendis and Paley; publishers, Jerome H. Remick & Co., New York. 8 Violets Waltz New York Military Band "It is to dance." Here is a four-minute Waldteufel waltz, loud enough and long enough for dancing. No composer of waltz music ranks above Waldteufel, and none of his compositions is better liked than " Violets," which is famed for its melody and perfectly marked dance tempo. The band has made an excellent Record — loud, clear, and in correct dance time. Composer, E. Waldteufel; publisher, Carl Fischer, New York. 9 Light as a Feather Albert Benzler By far the most elaborate bells solo ever attempted. The orchestration is quite remarkable, especially in the clarinet duet variations, through which the bells jingle merrily an attractive obligato. Orchestra accompaniment; music, T. H. Rollinson; publishers, Oliver Ditson Co., Boston, Mass. 10 The Holy City Reed Miller "The Holy City" needs no word of introduction. It is, and probably always will be, one of the most appealing sacred solos in the language. The entire selection is here given by Reed Miller, whose interpretation displays as much dramatic fervor as his famous rendition of Sullivan's "Lost Chord." Orchestra accompaniment; music, Stephen Adams; words, F. E. Weatherly; publishers, Boosey & Co., New York. 11 Uncle Josh and the Sailor Cal Stewart Cal Stewart says, " This is by far the longest record I ever made." And, we may add, it is easily one of the best. Uncle Josh is short of farm help, and hires a sailor, who said he knew it all and then some. But he insisted on sticking to the language of the sea. He yelled " starboard " and " port " to the team, and once he came up with a hatful of eggs. Said he found them on the hatchway. The climax came when the sailor-farmer wanted Uncle Josh to sit up nights and throw water against the side of the house so that he could go to sleep. Instead of doing so, Uncle Josh fired him. 12 The Message Harry Anthony Harry Anthony fairly revels in a harmonious semi-classic such as this. The words are romantically fanciful, and the music is of the type that the singer felates, was chosen to carry his message to his Love, in heaven. Mr. Anthony's thorough understanding of vocal art stands him in good stead in this class of song, and it is an artistic treat to listen to his well trained tenor voice. Orchestra accompaniment; music, J. Blumenthal ; words, Miss Adelaide Proctor; publisher, G. Schirmer, New York. 13 Cavalry Charge (Descriptive Fantasie) Edison Military Band A powerful descriptive band piece that is a. warm favorite with the leading band masters. Synopsis: Morning of the battle; infantry is heard approaching, with fife and drum corps; cavalry, infantry and artillery engage in fierce battle; defeat of the enemy; pursuit by cavalry. The Military Band gives a vivid portrayal of the moving armies and the swift action of the battle. Composer, G. Luders ; publishers, The John Church Co., New York. 14 Fol-the-rol-lol Limericks Edward M. Favor As a two-minute Record this has always been a famous seller because of the excruciatingly funny situations described in the verses and the strikingly "different" chorus. It is nonsense, of course, but the cleverest kind of nonsense that is an A i mirth-maker. The present Record gives 18 verses, while the old-style Record gives only 8. Orchestra accompaniment. 15 The Sinner and the Song James F. Harrison A distinctly unique semi-religious song that is certain to enjoy a wide vogue. A sinner sings the story of his wanderings and his conversion which resulted from hearing his favorite hymn sung by a church choir. To complete the scene, a mixed quartette is heard at intervals softly singing the verses of "Jesus, Lover of My Soul," accompanied by a church organ. Orchestra and organ accompaniment; music and words, Will F. Thompson. 16 The Stranded Minstrel Man Murry K. Hill One of the cleverest acts now in vaudeville, consisting of two very good humorous songs and a 400-word monologue. The monologuist must of course knock somebody, and on this occasion, (1) the manager of a minstrel troupe, who left his company stranded, (2) the B. & O. Railroad and (3) the Innside Inn of the Jamestown Exposition — all "get theirs." It would be too bad if only a few of the " roasts handed them " were true. This Record is a whole show in itself. Orchestra accompaniment; original sketch, not published. 17 Humoreske Hans Kronold Anton Dvorak's illustrious concert number makes an ideal 'cello sofo. The title, "Humoreske" means that the rendering is left to the musical fancy or feeling of the performer. Mr. Kronold's conception is the true artist's, and will be accepted as such by all who appreciate the best in music. Piano accompaniment; composer, Anton Dvorak.