The Edison phonograph monthly (Jan-Dec 1911)

Edison Phonograph Monthly, Jan., 191 1 19 625 Those Songs My Mother Used to Sing Elizabeth Spencer Mezzo-soprano, with orchestra accompaniment. Echoes of beloved old melodies of the past — "Annie Laurie," "The Last Rose of Summer," "Suwanee River" and the like — are heard in this deservedly popular song, whose beautiful sentiment and sweet, flowing melody reach to the hearts of its hearers. Miss Spencer, whose full rich mezzo-soprano was heard in Amberol No. 601, "Alma— 'Alma, Where Do You Live?'" and Standard No, 10467, "In Dear Old Tennessee," and who is now under an exclusive contract to sing for Edison Records only, adds to the attractiveness of the number by her sympathetic, artistic rendition. Words and music, H. Wakefield Smith; publishers, M. Witmark & Sons, New York City. 626 Down on the Mississippi Premier Quartet Male voices, unaccompanied, in a descriptive scene on a Mississippi steamboat wharf, with the jest and laughter of happy darkeys, the clanging of bells, hissing of steam, and tooting of whistles, etc., lending realism. After the quartet sings snatches of "Sailing," "Down Mobile" and "Down on the Mississippi," an Irish passenger (Porter) musingly hums the latter song, and the faint echo of the quartet follows, apparently from below deck. A clever, entertaining Record and still another testimonial to the clarity and smoothness of Edison recording. Author, Steve Porter. 627 My Ramapo— Indian Novelette American Standard Orchestra A bran new orchestral composition in tl|e popular Indian style, introducing characteristic effects — shouts of braves, war-cries and commands, rattle of musketry, etc A delightful writing abounding in swing and tunefulness, and with bells and zylo solos introduced which form a very attractive feature. An attractive morsel to lovers of orchestral numbers. Composer, Frederic W. Hager; publishers, The Joe Morris Company, New York City. 628 I JFfeel Religion Com in' On Arthur Collins A clever, catchy "coon" song with a good two-step swing. Mr. Collins' recital of Miss Alabama Joplin's infatuation for the new preacher and its disappointing sequel is most entertainingly done, with some funny "business" introduced between verses. The last chorus is sung in the popular "patter" style. Orchestra accompaniment. The trade will be interested in the fact that the publishers of this song are Edison Jobbers — The Southern California Music Company, Los Angeles, Cal. Words, M: A. Robinson; music, J. R. Robinson. 629 Hear Me, Norma Inez Barbour and Elizabeth Spencer Soprano and mezzo-soprano, with orchestra accompaniment. The celebrated duet between Norma and Adalgisa heard in the second act of the opera, "Norma," and generally conceded to be one of the best numbers of a work noted for the grace, tenderness and fervor of its melodies. The balance and blending of voices in this number are indeed satisfying. Orchestra accompaniment. English translation of words, Charles Jefferys; music, Vincezo Bellini; publishers, Oliver Ditson Company, Boston, Mass. 630 General Heywood and Our Glorious Banner Marches United States Marine Band Again two selections on one Record and both composed by Lieut. W. H. Santlemann, the able leader of "The President's Own." They are both brisk, snappy airs and are played in the vigorous, masterly style which distinguishes all the work of this famous organization. *631 Gee! But It's Great to Meet a Friend from Your Home Town Billy Murray and Chorus Tenor, with male chorus. A new song by the popular young writer of "Play That Barber Shop Chord," Standard Record No. 10433. The verse is set to a broad, agreeable melody which swings into an infectious two-step tempo in the chorus. Mr. Murray as usual sings the number with zest and spirit, assisted in the refrain by a male chorus of popular Edison singers. An entertaining and pleasing Record. Orchestra accompaniment. Words, Wm. Tracey; music, James McGavisk; publishers, Nybo Music Publishing Company, New York City. 632 John Anderson, My Jo Irving Gillette Tenor solo, orchestra accompaniment. This famous old Scotch song (originally a poem written by "Bobby" Burns) was recorded in response to numerous requests and will undoubtedly be well received by the public. The manner in which requests for songs of this type are increasing proves conclusively that the public is wearying of the ephemeral compositions of the present day, and is turning for relief to the beloved songs of our fathers whose poetic and melodic charm has stood the acid test of time. Mr. Gillette, who here makes his first solo Record for the Amberol catalog, sings the number in fine voice and expressively, with a delightful touch of Scotch accent. Publishers, Oliver Ditson Company, Boston, Mass. 633 I Hope I Don't Intrude Charles Daab Bells solo, orchestra accompaniment. A special arrangement for the bells of this old, favorite song-and-dance melody, which was one of the big successes of the celebrated vaudeville team of Delehanry and Hengler. Mr. Daab, whose Records are always features of the monthly lists, plays the vivacious number most artistically and as usual is favored with an excellent reproduction. Composer, W. H. Delehanry. * This selection will be illustrated on the cover of the March Phonogram. (Always specify on your orders whether yau want Amberol or Standard Records.)