The Edison phonograph monthly (Jan-Dec 1912)

Record Details:

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16 Edison Phonograph Monthly, Jan., 1912 Edison Amberol Records UNITED STATES LIST, 50 CENTS; CANADIAN, 65 CENTS 924 War March of the Priests — "Athalia" Edison Concert Band Mendelssohn, at the special command of his kirg, wrote this stirring and martial composition as incidental music to Racine's "Athalie." The music, consisting of an overture, a march and six vocal pieces, was first performed in its entirety at Berlin 1845. The fact that it frequently appears in philharmonic and symphony society programs seems to predict great popularity for this unusually fine Record. 925 Inflammatus — "Stabat Mater" Agnes Kimball and Chorus Another beautiful high grade sacred Revere in the Edison series of one of the most impressive selections from the famous oratorio "Stabat Mater," written by Gioachino Antonio Rossini, who is also the composer of the "Barber of Seville." Agnes Kimball sings the soprano solo in English and a quartet composed of Elizabeth Spencer, soprano; Nevada Van der Veer-Miller, contralto; Reed Miller, tenor, and Frank Croxton, bass, adds its concerted harmony to heighten the effect of Miss Kimball's delightful performance. Records of this character are winning for the Edison a high place in the regard of those who are critically inclined. Orchestra accompaniment. 926 A Dream of Paradise R. Festyn Davies Lovers of sacred music will be charmed by this song of Hamilton Gray's, so peculiarly adapted to the beautiful sentiments expressed by Claude Lyttleton, the writer of the words. To many it will be an old favorite made dearer by Mr. Davies' excellent rendition. Orchestra accompaniment. 927 The Elite March John Kimmble We have listed a number of accordion Records in the past and without exception they have proven very popular. This march, played by one of the best known accordion players of the day, will win especial favor, both because of the skill displayed by the artist and because of the introduction of the famous English march song "Soldiers of the King." Piano accompaniment. Music by Edgar De Veau. 928 Believe Me, If All Those Endearing Young Charms Dr. Franklin Lawson As most everyone knows, the words of this delightful old love song are by Tom Moore. The air is evidently of Irish origin, although there has always been some doubt on that point. For years it has charmed the world, and grows more beautiful in theme and sentiment every time one hears it. Dr. Lawson sings it most artistically, fully up to his reputation as one of New York's leading concert tenors. Orchestra accompaniment. 929 23rd Psalm — Chant and the Lord's Prayer 5th Ave. Presbyterian Church Choir A beautiful and dignified sacred Record made by the Fifth Avenue Presbyterian Church choir (New York) composed of Mary Hissem de Moss, soprano; Cornelia Marvin, contralto; Edward Strong, tenor, and Frederick Martin, basso. There are many striking chords and the harmony throughout is excellent, the voices blending perfectly with the organ accompaniment. This Record cannot fail to make a strong impression upon lovers of good music. 930 Cradle Song Elsie Baker Kate Vannah, composer of many dainty songs like this one, has set to very appropriate music the poem by Eben E. Rexford. Elsie Baker, a new Edison artist, is gifted with one of the rarest of contralto voices of remarkable depth in the lower and great brilliancy in the upper registers. Its rich velvety quality is one of its most potent charms. She has recently received flattering offers from two operatic impresarios and it is not unlikely that she may be heard in one of the leading opera houses in America. The proper subduing of the orchestra accompaniment renders this a most artistic Record. Published by White-Smith Music Publishing Co., New York City. 931 Funeral March of a Marionet American Standard Orchestra Gounod, the well-known French composer, originally intended this composition for a ballet number. It is humorous in form and title, but possesses all the musical charm and merit of the composer's other works, and has become widely known as an orchestra concert number. The American Standard Orchestra interprets it in a manner that betokens careful study of its theme. Published by Carl Fischer, New York. 932 After the Honeymoon Maurice Burkhart When the Berlin-Snyder combination produces a comic song it is an assured success. Maurice Burkhart, famous as the originator of "My Bruda Sylvest," produces his first Edison Record in this capital "hit." The song deals with the trials of married life as against the joys of courtship and is a sure cure for "the blues." Orchestra accompaniment. Published by the Ted Snyder Co., New York City. (Always specify on your orders whether you want Amberol or Standard Records.)