The Edison phonograph monthly (Jan-Dec 1912)

Edison Phonograph Monthly, Jan., 1912 17 933 The Old Time Street Fakir Porter and Harlan The old-time patent medicine man is with us again. The type is rapidly disappearing, but Porter and Harlan — well known to many as the makers of Record No. 677 ("Congressman Filkins' Home Coming")— have put him on record as a fun maker. A good, snappy quartet completes the entertainment. 934 Don't Be Ashamed You're Irish Lottie Gilson and Chorus Lottie Gilson has made many thousands of friends among theatre-goers, a large number of whom have renewed their acquaintance through her singing for the Edison. They will be delighted with her Irish brogue in this new Record. One can fairly see her parading up and down the stage to the orchestra accompaniment. A mixed quartet adds its voice to swell the chorus. The Record will appeal to all true sons of Erin — and a good many more. Words and music, William Cahill ; publishers, F. B. Haviland Publishing Co., New York City. 935 Has Anybody Here Seen Kelly? Sousa's Band This Record is of unusual interest — an instrumental parody on that far-famed comic Irish song "Has Anybody Here Seen Kelly?" Mr. Bellstedt, arranger of the "Merry Widow Humoresque" has again shown marked ability in comic instrumentation. Sousa's talented musicians enter completely into the humorous spirit of the piece, making of it a most entertaining and amusing Record. 936 Mine Irving Gillette Irving Gillette needs no special recommendation to Edison owners for his Records are always entertaining. "Mine" is a beautiful love ballad with words quite out of the ordinary, and recalls the familiar "Love Me and the World is Mine." It was first introduced by William Hinshaw, baritone of the Metropolitan Opera Company of New York City, to whom the ballad is dedicated. A fine orchestra .accompaniment adds to the attractiveness of the already popular number. Words, James W. McGee and Paul Benedek; music, Alfred Solman. Published by Carl Laemmle Music Company, New York City. 937 Another Rag Premier Quartet Yes, another rag, but then there's always room for one more and when you hear this raggy rag you will wish for still another! It is written by Theodore Morse (music) and D. A. Esrom (words), composers of "The Washington Waddle" (Amberol No. 827) and "I'd Love to Lead a Military Band" (Amberol No. 855). The Premier Quartet of male voices has made a world-wTide reputation for itself in songs of this type and does not disappoint. Orchestra accompaniment. Published by Theodore Morse Music Co., New York City. 938 Mandy, Come Out in the Pale Moonlight Walter Van Brunt This song has become so popular, particularly in the West, through its repeated singing by Aaron Gordon, and others in vaudeville, that we are listing it in response to many requests. Walter Van Brunt has established himself firmly in the hearts of Edison enthusiasts and by way of keeping up the good work uses his tenor voice to excellent advantage in this selection. The words and music of "Mandy, Come Out in the Pale Moonlight" are by Leonard Marx. The melody is catchy and tuneful — the words much above the average in popular songs. Orchestra accompaniment. Publisher, Charles I. Davis, Cleveland, Ohio. 939 Hula Hula Medley — Two Step National Promenade Band An exhilarating two-step with a catchy swing, recorded in strict dance tempo. It includes four popular "hits," "My Hula Hula Love," "The Red Rose Rae," "Oh! You Beautiful Doll," and "The Oceana Roll.'" Outside of its value for dancing purposes, the Record merits particular attention from an entertainment star, J point. Published by Jerome H. Remick & Co., New York City. 940 Silver Star Ada Jones and Billy Murray Another "Silver Bell!" "Silver Bell" was one of the most catchy and popular songs ever produced on the Phonograph and this Indian love song is sure to make the same wide appeal. Ada Jones and Billy Murray are old favorites and their performance on this Record will strengthen their present grip on the affections of Edison owners. In their usual capable fashion, our recording experts have interwoven tuneful bell effects between verses, and worked up the orchestra accompaniment to make it stand out most attractively. The words are by William R. Clay, and the music is by Charles L. Johnson, the composer of the "Iola" intermezzo, Standard Record No. 9417. The J. W. Jenkins & Sons Music Co., the publishers, are Edison Jobbers in Kansas City, Mo. 941 Pussy's in the Well Manhattan Ladies' Quartet The old familiar nursery rhyme in an unique musical garb. A quartet of female voices is always a novelty. This organization composed of Irene Cummings, first soprano; Mabel Meade Davis, second soprano; Annie Laurie McCorkle, first alto, and Anna Winkoop, second alto, is a favorite one in the East. The first Edison Record by these artists is highly enjoyable and is greatly enhanced by orchestral embellishment. Music, George B. Xevin ; publishers, White, Smith Music Publishing Co., New York City. (Always specify on ycur orders whether you want Amberol or Standard Records.)