The Edison phonograph monthly (Jan-Dec 1912)

Edison Phonograph Monthly, Feb., 1912 17 upon his experiences and has been very cleverly adapted. Evan Baldwin was chosen to make the Record because his voice seemed to fit the song unusually well. The orchestra accompaniment is specially arranged to enhance the effect of his rendition. Music by George W. Meyer, words by Jack Drislane. Published by F. B. Haviland Publishing Co., New York City. 958 An Easy Job on the Farm Golden and Hughes Another vaudeville sketch by this popular pair, who have talked and laughed themselves into thousands of homes. The text of this Record is somewhat on the style of "Nothing to Do Until To-morrow," which also appears in this supplement. 959 The Old Church Hymns and Bells James F. Harrison and Edison Mixed Quartet The remarkable clarity of Mr. Harrison's baritone voice is especially notable in this — his latest — Record, which tells the pathetic story of old age. Bells supplement the orchestra accompaniment, blending perfectly with the excellent , mixed quartet. The song recalls Amberol Record No. 398 "Old Jim's Christmas Hymn," and introduces "Abide With Me" and "Jerusalem the Golden." W. E. Naunton and A. Chrystal wrote the music and words of this song, the listing of which was prompted by many requests from our Australian friends. 960 Hornpipe Medley Charles D'Almaine D'Almaine' has made many excellent violin Records for us and we feel sure that this medley, introducing "Jenny Linn," "Lockers," "Acrobat," "Champion' and "Autograph" hornpipes, will appeal to many "landlubbers" just as strongly as it will to "old salts." Orchestra accompaniment. 961 In a Little While Campbell and Gillette A tenor duet, styled a "novelty song" by the composers, rendered in good style by this popular team whose Records in previous Edison lists have made them thousands of friends. A very catchy swing and a peculiar break in the time at the end of each line, which is accentuated by the orchestra, make this an extremely desirable Record. George Christie, author of the song, has gained considerable popularity as the writer of "Baby Rose" (Amberol No. 719) and "If All My Dreams Were Made of Gold" (Amberol No. 891). Words by Jack Kingsley. Published by M. Wirmark & Sons, New York City. 962 Moonlight Bay Premier Quartet A well-balanced male quartet can invariably please an audience which has a good ear for harmony. In this tuneful song the air is carried by different parts at different times, while the remaining voices constitute a vocal accompaniment, augmented by an orchestra. The quartet finishes the performance by introducing banjo and other effects while singing in subdued tones. Music by Percy Wenrich ; words by Edward Madden. Jerome H. Remick & Co., of New York City, are the publishers. 963 Mollie Darling Will Oakland and Chorus An old time favorite ballad. Will Oakland and a male quartet have made a perfect Record of the exquisite harmony contained in this old song, which is very well adapted to Oakland's high tenor. In songs of this nature there is always a note of tenderness which appeals to many people, and we believe that this Record will find a host of admirers. Orchestra accompaniment. Words and music by Will S. Hays. Published by Oliver Ditson Company, of Boston. 964 The Harbor of Love Medley National Promenade Band This "dandy" waltz was recorded especially for dancing, and it has no superior. It introduces "The Harbor of Love," "The Hour That Gave Me You," and "You'll Do the Same Thing Over Again" — all popular "hits" of the day. Being a band selection it is suitable for use in any hall, no matter how large, and it will never fail to demand encores. Published by Jerome H. Remick & Co., of New York City. 965 Love's Sentence Ada Jones and Billy Murray A waltz time song with rather novel words, sung as a conversational duet by Edison favorites of long standing, to an orchestral accompaniment. Music by George W. Meyer; words by Joe Goodwin. Publishers, F. B. Haviland Publishing Co., of New York City. *966 Ragtime Violin Premier Quartet Irving Berlin, writer of "Alexander's Ragtime Hand" (Amberol No. 817), recently produced this somewhat similar ragtime tune and its success was instantaneous. It is the sort of song that sets everybody's feet going and the Premier Quartet do not lose a single opportunity to "rag" it — nor does the accompanying orchestra. The Record is one of the "hits" of the list, as one would naturally suppose it would be, taking into consideration the wide vogue the song has already enjoyed. Published by the Ted Snyder Company, of New York City. * This selection will be illustrated on the cover of the April Phonogram.