The Edison phonograph monthly (Jan-Dec 1912)

18 Edison Phonograph Monthly, Feb., 1912 967 Dancing on the House Top Charles Daab Bells solos have always achieved great popularity — due partly perhaps to the remarkable clarity of tone produced by the Phonograph. This Record is one of the most popular solos of the Standard Records, of which No. 519 achieved unusually wide favor. The orchestra accompaniment takes the form of obligatos and interludes, making the Record exceedingly musical and attractive. Music by Edwin Christie. 968 The Song of Triumph — Easter Anthem Edison Mixed Quartet This is our annual Easter Record and is a song of triumph, written by I. H. Meredith, author^ of "Bells^ of Christmas" (Amberol No. 560). It is an inspiring Easter anthem, the spirit of which is exemplified by the triumphant introductory notes of the trumpets, followed by the quartet of mixed voices, leading to a soprano-tenor duet, and culminating in th^ singing by the full chorus of the joyful tidings "Sing Every Nation for the Saviour Now is Risen from the Grave." A specially arranged organ and orchestra accompaniment adds a finish to this production which could not be excelled. Words by Edith Sanford Tilktson. Published by Tullar-Meredith Co., New York City. 969 Ye Merry Birds, That Sweetly Sing Elizabeth Spencer This I eautiful song was composed by Ferdinand Gumbert, a native of Berlin, who was famous as a singer and composer of German operettas and many songs of an unusually high order. In the original version (O bitt' euch, liebe Vogelein) this song has always been considered one of the gems of German music, and in the English translation it has gained great popularity as a concert number. Elizabeth Spencer does the old favorite complete justice, and her performance is ably augmented by an orchestra accompaniment. 970 Angel's Serenade Venetian Instrumental Trio There is scarcely a musical ear in the country which has not been charmed at one time or another by this sweet melody, which seems to have been created especially for the violin. The Record introduces a beautiful flute obligato to the sustained melody of the violin, while thj harp carries a delightfully harmonious accompaniment through the selection. This is a Record for musical people, and as such will be appreciated by those who value the Phonograph for the inspiring melodies it brings into the home. Composer, G. Braga. 971 Your Smile Elsie Baker Elsie Baker has in this Record produced one of the most charming songs to be found in the realm of sentimental ballads. The fact that it has always proven to be one of her most successful songs at concerts and song recitals has prompted its appearance upon our list and we are confident that it will serve to increase her already large following. Songs of this variety seem peculiarly well suited to a contralto voice, especially one that can bring out all that is best in it. Orchestra accompaniment. Music by Dorothy Forster; words by Harold Simpson; publishers, Chappell & Co., New York City. 972 The Broken Melody American Standard Orchestra A splendid orchestra Record of one of the most beautiful and original concert pieces of recent years. It was originally written as a 'cello solo and was performed as such by the composer, Auguste van Biene, in the play "The Broken Melody," which scored a great success here and abroad. The selection has a beautiful flowing melody in which there occurs a sudden break or suspense, giving a surprising and fascinating effect to the already charming harmony of the piece. Published by E Ascherberg & Co., of London. 973 I Will Magnify Thee, O God Agnes Kimball and Reed Miller Joseph Mosenthal, the composer of this beautiful sacred duet, was born in Kassel, Germany, in 1834. He became one of the best known musicians in New York, was organist and choir master of Calvary Church 1860-1887, and from 1867 to the time of his death in 1896, he was conductor of the New York Mendelssohn Glee Club. This song is one of Mosenthal's best known sacred songs and, as rendered by these well-known artists, it makes a finished and charming Record. Orchestra accompaniment. Published by G. Schirmer, New York City. 974 Second Polonaise Edison Concert Band The Hungarian Rhapsodies of Liszt are famous the world over. This Second Polonaise has a somewhat similar movement, of Hungarian character, and is probably the most celebrated of this great composer's works of this type. The piece is recognized as an extremely difficult piano composition, and as arranged for orchestration requires the utmost skill for proper rendition. The musically well informed will be particularly pleased by this selection. Published by Carl Fischer, New York City. Edison Standard Records UNITED STATES LIST, 35 CENTS; CANADIAN 40 CENTS 10546 Florentiner March Sousa's Band Sousa's band never fails to make a success of any piece it attempts, and this excellent march by Julius Fucik has proven to be another welcome addition to the extensive repertoire of this celebrated organization. The Record is a good one, and does full justice to both the selection and the performers. Hawkes & Son, London, are the publishers. (Always specify on your orders whether you want Amberol or Standard Records.)