The Edison phonograph monthly (Jan-Dec 1913)

Record Details:

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EDISON PHONOGRAPH MONTHLY FOR MARCH, 1913 13 RECORD RETURN GUIDE FOR MARCH, 1913 AFTER March 1st, 1913, U. S. Jobbers (A to L) and Canadian Jobbers may return to the factory for credit under the conditions stipulated in Phonograph Sales Department Bulletin No. 118, dated September 17th, 1912, such wax Records as may be in stock to the extent of 15 per cent, of their Blue Amberol Record purchases and l}/2 per cent, of their machine purchases. It is understood that any Wax Records may be returned under this agreement regardless of numbers and without reference to their being Amberol or Standard. Jobbers and Dealers are also cautioned that the return allowance on machine purchases extends only over a period of six months beginning October 1st. DIAMOND POINT REPRODUCER FOLDER YOUR Jobber will soon be in a position to supply you with quantities of Form 2344, a new fourpage folder on the Diamond Point Reproducer. It is designed for all those of your customers who, having bought Phonographs before we began equipping them with Diamond Point Reproducers, have never procured one of the new Reproducers. Your order books will tell you exactly who these people are. Make a list of them and make it your business to get one of these folders into their hands. You realize, of course, that not only is the actual sale of a Diamond Reproducer profitable, but there will be a still greater profit in the resulting sale of Blue Amberol Records. The improved tone which the Diamond imparts to the Blue Amberols cannot but increase every customer's enthusiasm for the new Records. THE EDISON IS WELL ADAPTED to serve a great variety of purposes and meet the needs of every purse. Each type of machine, while always of the highest mechanical skill, is specially designed to meet requirements which an extended acquaintance with the music-loving public has shown to exist. The exquisite "Amberolas" are drawing room instruments expressive of refined and artistic taste both in design and finish. To conform to the color-scheme of a room, they are made in a variety of finishes both in mahogany and oak — each the rare example of the cabinetmakers' skill. Their tonal qualities bear the impress of a master-mind in acoustics. The less expensive machines are well adapted to the library, the veranda, the yacht or the summer camp, as their possessor may find occasion for them. MEXICAN BLUE AMBEROL RECORDS WE have announced the first list of twentysix Mexican Blue Amberol Records, to go on sale as soon as received. They will of course be of greatest interest to Dealers in the southwest, but we urge any Dealer in whose territory there is a Mexican colony to order a quantity of these Records from his Jobber. The Records are as follows: 22007 A la Luz de la Luna!— Serenata Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22008 A Lupita — Cancion Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22009 La Fea — Cancion Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22011 Pleito entre Comadres — Cuadro Jocoso Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22012 La Comisaria — Cuadro Jocoso Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22013 El Pavo Real — Cancion Popular Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22032 El Periquito — Cancion Popular Cuarteto Coculense 22036 Mis Lagrimas — Cancion Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22039 El Carretero — Cancion Popular Cuarteto Coculense 22056 Por Pachita — Cancion Popular Tenor and baritone Maximiano Rosales and Rafael H. Robinsoi 22058 La Rancherita — Cancion Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22064 Cuba a Mexico — Cancion Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22088 Amor Prohibido — Cancion Popular Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22090 La Machicha — Parodia Tenor and baritone Jesus Abrego and Leopoldo Picazo 22103 No me Olvides — Cancion Tapatia Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22108 Zamacueca Suriana Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22113 Hermosa Privamera — Cancion Popular Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22116 El Jardinero — Cancion Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22120 Mi Ausencia — Cancion Popular Tenor and baritone Jesus Abrego and Leopoldo Picazo 22122 Un Recuerdo a mi Madre — Cancion Popular Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22126 La Verdulera — Escena Popular (Rosales) Tenor Maximiano Rosales 22129 Un Ciro de Barrio — Pieza Descriptiva Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22134 Un Viaje al Infierno — Cancion Popular: la. Parte Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22135 Un Viaje al Infierno — Cancion Popular: 2a. Parte, Tenor and baritone Maximiano Rosales and Rafael H. Robinson 22139 Los Hijos de la Noche — Chotis Tenor and baritone Jesus Abrego and Leopoldo Picazo 22142 La Inundacion de Leon — Corrido Tenor and baritone Maximiano Rosales and Rafael H. Robinson EDISON Phonographs know no class distinction. The prices are made to suit every pocket. Never forget that the man in overalls is just as fond of music as the fellow whose name graces an office door, and he's just as anxious to provide entertainment for his family — frequently more so. You may sell only a Gem to the one, and an Amberola to the other, but they both pay the same price for their Records; and Record sales are your best source of revenue.