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14 EDISON PHONOGRAPH MONTHLY, MAY, 1916
It is Always Possible to Keep a Record Until a Customer Comes
But It Is Not Always Possible to Keep a Customer Until a Record Comes
UP-TO-DATE popular and operatic numbers Marie Sundelius, Marie Kaiser and T. Foster Why,
and high class songs and selections abound in and on the concert list those who sung in the mak
the May-June list, and a glance over it will ing of three superb records are Marie Rappold,
convince you that it has been a long time since a Christine Miller, Orphee Langevin and Otto Goritz.
more attractive monthly assortment was put on the The prominence of the artists who made some of
market. the May-June Blue Amberol records is a selling
The number and names of the famous artists who point that no dealer can afford to neglect,
appear on the list are surprising when the price Every record on the list is a "live" one, and the
for which Blue Amberol records is considered. dealer who orders the entire list should have no
Even on the regular list there are such names as difficulty in selling every record on it.
BLUE AMBEROL RECORDS FOR MAY-JUNE
CONCERT
28233 Whispering Hope, Hawthorne, Soprano and Contralto, orch. ace. Marie Rappold and Christine Miller
28234 Lorsqu'a de folles amours — Traviata, Verdi, Baritone, orch. ace. Orphee Langevir
28235 Als Buhlein Klein and der Mutter Brust — Die Lustigen Weiber von Windsor, Nicolai, Baritone, in German, \
orch. ace. Otto Goritz and Manhattan Male Quartet
REGULAR
2869 Boys of the Dardanelles, Little, Baritone, orch. ace. Frederick Wheeler and Male Chorus
2870 For Auld Land Syne! Australia Will be There, Francis, Baritone, orch. ace. William White and Male Chorus
2871 She is My Rosie, Harry Lauder, Baritone, orch. ace. Glen Ellison
2872 Little Cotton Dolly, Qeibel, Male voice, unacc. Criterion Quartet
2873 Waltz Orchid, Vecsey Armand Vecsey and His Hungarian Orchestra
2874 Played by a Military Band, Mohr, Tenor, orch. ace. Billy Murray
2875 What Have I to Give? Lane, Tenor, orch. ace. Emory B. Randolph
2876 Spanish Rhapsody, Salvetti Alessios Mandolin Quartet
2877 Memories, Van Alstyne, Tenor, orch. ace. Burton Lenihan
2878 I Wonder if You Miss Me Sometimes, Hills, Tenor, orch. ace. George Wilton Ballard
2879 I Love You, That's One Thing I Know, Gilbert and Friedland, Tenor, orch. ace. Manuel Romain
2880 Here Comes Tootsi — Around the Map, Finch, Soprano, orch. ace. Gladys Rice and Male Chorus
2881 Memphis Blues — Fox Trot, Handy, for Dancing National Promenade Band
2882 Serenade, Schubert, Violin, Violoncello, Flute and Harp Venetian Instrumental Quartet
2883 All Aboard For Chinatown, Brookhouse, orch. ace. Arthur Collins and Byron G. Harlan
2884 Stop! Look! Listen!— Fox Trot, Berlin, for Dancing Jaudas' Society Orchestra
2885 Songs of Other Days — No. 1, orch. ace. Metropolitan Mixed Chorus
2886 Babes in the Wood— Fox Trot, Kern, for Dancing Jaudas' Society Orchestra
2887 Song of the Soul, Briel, Soprano, orch. ace. Marie Kaiser
2888 Songs We Used to Sing in Dixie Land, Caro Roma, Contralto, orch ace. Merlp Alcock and Male Chorus
2889 Katinka, Friml, Tenor, orch. ace. Walter Van Brunt and Male Chorus
2890 Baby (Swing High, Swing Low), Bennett, Contralto, orch. ace. Helen Clark
2891 Blow, Blow, Thou Winter Wind, Sarjeant, Basso, orch. ace. T. Foster Why
2892 With Verdure Clad— The Creation, Haydn, Soprano, orch. ace. Marie Sundelius
2893 Railroad Jim, Vincent, Baritone, orch. ace. Edward Meeker
2894 On the Hoko Moko Isle, H. Von Tilzer Arthur Collins and Byron G. Harlan
2895 Strike Up a Song, Morgan, Baritone, orch. ace. Charles N. Granville and Male Chorus
EILERS TALKING MACHINE PHONOGRAPH MUSIC TO
COMPANY CHANGES NAME STIMULATE EMPLOYEES
The Hopper-Kelly Company is the new name yVe have the Manufacturers' News as authority
of the company which has been handling the Edi for the report that a Cincinnati, O., dry-cleaning
son Amberola line at Seattle, Wash., under the estabiishment) which employs about 300 persons,
name of the Eilers Talking Machine Company. C. . , . , , . . .f ., . m lnvooi> , o„ _,„,,;„
& r j recently decided that it their employees near music
H. Hopper and E. P. Kelly have been conducting . ...
. . .,i,/. • , at frequent intervals while they work it will not the business under the old firm name since about
... . , , only make them happier, more contented workers,
two years ago, when they took over the phonograph J rr
department of the Eilers Music House. Now that but that the^ wiI1 do more work than lf the^ were
they have opened a branch at Tacoma, Wash., it ^ho^ music So» following this theory, this
has been deemed advisable to change the company enterprising firm has installed throughout the big
name. Mr. Hopper recently returned to Seattle establishment enough phonographs to keep lively
after a brief sojourn at the Edison plant at Orange. music playing almost all day long.