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Fe ce EDISON RECORDS 291 Number
Mikado Airs, No. 1, Gilbert-Sullivan, New York Light Opera Company.
‘Includes: A Wandering Minstrel I, Our Great Mikado, Young Man, Despair,
and Behold the Lord High Executioner, REVERSE: Mikado Airs, INIOG 24 Gilbert-Sullivan, New York Light Opera Company... : 80233
Mikado Airs, No. 2, Gilbert-Sullivan, New York Light Onere ‘Company:
Includes: Three Little Maids From School, Tit-willow, Tit-willow, and
Flowers That Bloom In the Spring. REVERSE: Mikado Airs, No. 1, Gilbert
Sullivan, New York Light Opera Company .... ee 80233 Mill By the Sea, Adams, Walter Scanlan; Tenor. REVERSE: My Melan. choly Baby, Burnett, Walter Seanlan;.Ténor . o.« ; ; ew 50923
MILLER, CHRISTINE, Contralto, RECORDS by One of the big delights of the concert world is the mela mellow voice of Christine Miller. In her comparatively short career she earned a popularity that scarcely another singer may boast. Miss Miller has appeared in every state in the union and with invariable triumph. She has been concert soloist with eight different symphony orchestras; five times each with the New York and Cincinnati Orchestras; five times with the ‘Minneapolis Orchestra; three times each with the Pittsburgh and St. Louis Orchestras and twice each with the Chicago _Symphony and the St. Paul Orchestras. Her wonderful contralto has also been heard in concert with seventeen oratorio societies. Her voice is rich and sympathetic, exquisite in quality ‘and possesses an accuracy and purity of tone that is remarkable. Felix Borowski, the great American critic, said of her: ‘‘She has few rivals, no superiors as an interpreter of the music of Bach -and Handel.’’ Miss Miller’s programs are most versatile and have quality and distinction. She is an ideal oratorio singer, having a thorough knowledge of all the standard classic works, as well as those of the modern writers. Miss Miller is of Scotch birth and ancestry but practically all of her life has been spent in America. She received her early musical training almost entirely in Boston and later coached with German, French and English masters both here and in foreign countries. Her rise to fame was phenomenally rapid. ANNIE LAURIE, Scott. REVERSE: Then You'll Remember Me—Bohemian
Girl, Balfe, James Harrod, Tenor . . . 80315 BENDEMEER’S STREAM, Moore. Rivevsns: My lave She's s But a “Tats Vet, Hogg, Christine Miller, COntralto ae 82113 But THE Lorp IS MINDFUL OF HIS Gane ine Pion Medi Rohie ee VERSE: Just AsI Am! Bradbury, Arthur Middleton, Bass-Baritone . . . 82153 Day Is ENbDED, Bartlett, with Violin Coes. REVERSE: My Task, ASK ford, Fred East, Bass ==. Seen tae 80577 FLow GENTLY, SWEET hon eek Pervert Love Me or ‘Not, Secchi, Arr. by A. L., Paul Reimers, Tenor 4 80691 GAE TO SLEEP, Fisher. REVERSE: Good Night, ‘Little Girl, Good Night, Macy, Ralph Errolle, Tenor... 80680 Goovp-BYE, SWEET Day, Vannah, eh Goris. one: on Old Madrid: Trotére, Reed Miller, Tenor . mer PO Pag beeen Penne «0 FAL ON Tighe 80099 He SHALL FEED HIs Pipe ese Handel. REVERSE: Soft Southern Breeze, Barnby, Reed Miller, Tenor. . . CPLA SS. PE An eae ae eee 80291 I CANNOT SING THE OLD Sones, Claribel. Revere otra Old Sweet Song, Molloy, Elizabeth Spencer, Soprano. . . a ng ene re Ye aig 80310 JOHN ANDERSON, My Jo. REVERSE: We'd Betton Bide a Wee, Claribel, Christine Miller, Contralto. ... 82075 Just For To-pay, Abbott. REVERSE: “Whispering eons: Havathorne, Marie Rappold and Christine Miller, Sopranoand Contralto . . . 82543 LorRELEY, Liszt, in German. REVERSE: Nur, wer die Pn ei event: Tschaikowsky, Julia Heinrich, Soprano, in German, ... 82544 My AIN CoOUNTRIE, Hanna. REVERSE:. O Rest In the bards: —Blijab, ‘Mendelssohn, Christine Miller, Contralto .... 82085 My Love SuHeE’s But A LASSIE YET, Hogg. REVERSE: Betidenicer’ s area _ Moore, Christine Miller, Contralto Re 82113 : N IGHT AND Dawn, Liddle: REVERSE: Vulcan’ S Song—Philémon and ‘Baucis,
padre. Noster Vis. Base: Pe ROS ae ge eave Oe ay Sone aaa 80222