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MOOR, WEYERT A.—Continued Number ELEPHANT AND THE FLy, Kling, Piccolo, with Benjamin Kohon, Bassoon, REVERSE: Nadine—Waltz Caprice, Henton, H. Benne Henton,.Saxophone 80472
NIGHTINGALE AND THE FRoG, Eilenberg, with Benjamin Kohon, Bassoon. REVERSE: In the Clock Store—Descriptive Fantasia, Orth, Sodero’s Band 50487
OFFERTOIRE, Donjon. REVERSE: Stradella Overture, Von Flotow, P. Frosini,
AICCOrdiOn «.. .%. Weare ee aE Lore gain fhe enn se toute eon Ly et ee 80432 THROUGH THE AIR, Dis picealo, Be ecaece Angel’s Serenade, Braga,
Venetian Instrumental Quartet. oa tyes ei 80234 Two LITTLE BULLFINCHES POLKA, Kling, ach SntHony Giapiitabies: Clar
inet. REVERSE: Bird At the Water Fall, Sibyl Sanderson Fagan... 80629
VICTORIA REGIA—CONCERT WALTZ, Popp, Flute. REVERSE: Oh Maritans—= Maritana, Wallace, Louis Katzman and Simone Mantia, Cornet and
Trombone. .. 80253 Moraima—Dance Hanagnole. Penrose’ Creatore aa his Band. Raven se: Marcia Roma, Musso, Creatore and his Band... . 80324 ' More Candy—One-Step, Kaufman, for Dancing, Jaudas’ Society: Orchestra. REVERSE: Saxophobia—Fox Trot, Yerkes Saxophone Sextet . . 50553
Morenita (T) he Brown-Haired Maid), Buzzi-Peccia, Marguerite Namara, Soprano, in Italian. REVERSE: Seu Arditi, Consuelo Escobar de Castro, Soprano, in Italian... 80713
MORGAN, REV. WILLIAM H., D.D., Seriptire Readings: RECORDS By BEATITUDES, THE, and Hymns, with Calvary Choir. REVERSE: The Lord’s Prayer, Doxology, Responses and Hymn, Rev. William H. pO: DD; anddacalvaty, © holt ysis 80511
Lorp’s PRAYER, DOXOLOGY, Broponere aad ay with NGA ATy Choir. REVERSE: The Beatitudes and Hymns, Rev. William H. Morgan, D. Ds ,and Calvary Choir .°. . 80511
‘St. * OHN 14: 1 to 3, 25 to 27, ind THE PRECIOUS. Sie with Chlvaty Chott REVERSE: Twenty-Third Psalm and He Leadeth Me, Rev. William H. Morgan, D.D., and Calvary Choir, Scripture Lesson with Hymn... . 80471
TWENTY-THIRD PSALM and HE LEADETH ME, with Calvary Choir. RgsVERSE: St. John 14:1 to 3, 25 to 27, and The Precious Name, Rev. William H. Morgan, D.D., and Calvary Choir, Scripture Lesson with Hymn. . . 80471
Morning Glory—See Hot Dog—Medley Fox Trot... . 51132
Morning, Noon and Night In Vienna Overture, Von “Supe, Care Hamilton Green, Xylophone. REVERSE: Spring Tat aren ory et ala ek ‘RingHager, Sibyl Sanderson Fagan, Whistling ........2.e.. 80548
Morning—See Peer Gynt Suite, No.1 ..... ashes cane: 80216
Morris Dance and Torch Dance—Henry VIII Dances: German, i etait Symphony Orchestra. REVERSE: Henry VIII Dances—Shepherd’ s Dance, German, American Symphony Orchestra . ........+e4e-e 80486
MORRISEY, MARIE, Contralto, RECORDS by
The rich and colorful, genuine contralto quality of Marie Morrisey’s voice won instant Metropolitan recognition on her first appearance in Aeolian Hall, New York. Previous to that time she had. been heard occasionally in church singing in New York and Brooklyn. Miss Morrisey was born in Wilkes-Barre, Pa., and received all her musical education in America. She sings with equal facility in Italian, French, English and German. For some years Miss Morrisey was the leading contralto of the St. Mark’s Methodist Episcopal Church, Brooklyn, and is now the soloist of the Fifth Avenue Presbyterian Church, New York. She has sung with the important organizations, the Rubinstein Club and the Euterpe Club of New York, the Arion Society of Brooklyn, and the Brooklyn Apollo Club. Her tours with the Russian Symphony Orchestra, the Boston Festival Orchestra and in concert, recital and oratorio work have made her a well known artist to American audiences. Dost THou Know THat SWEET LanD—MIGNON, A. Thomas, Contralto. RE
VERSE: Flower Song—Faust, Gounod, Marie Morrisey. eee aes 82121 ‘FAREWELL, Schubert. REVERSE: Flow Gently. Sweet Afton, Spilman, Marie
Morrisey, Contralto ..... sid af OM 82122 FLOWER Sonc—F aust, Gounod. puveaant Dost Thou Know That Sect
Land—Mignon, A. Thomas, Marie Morrisey, Contralto. .....0... 82121 vow GENTLY, SWEET AFTON, Spilman. REVERSE: Farewell, Schubert, Marie
: ~ Morrisey, Contralto_ . » e s . . ° fe e . . . . . ° 6 ° ° . ° 2 . . ° 82122