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EDISON RE-CREATIONS ~
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Dearest One, Blaufuss, Betsy Lane Shepherd and Elizabeth Spencer, Soprano and Mezzo-Soprano. Reverse: Held Fast In a Baby’s Hands, Perkins, George Wilton Ballard, Tenor.
Dear Heart, Matte:, Venetian Instrumental Trio, Visita Flute ad frac REVERSE: Memories of Home, Gutmann, Venetian Instrumental Quartet .
Dear Little Boy of Mine, Bail, Will Oakland, Counter-Tenor. REVERSE: That Wonderful Mother of Mine, Goodwin, Will Oakland, Counter-Tenor .
Dear Love, My Love—June Love, Friml, Elizabeth Spencer, Sopranc. REVERSE: Where the Lazy Mississippi Flows, De eee Charles Hart and Lewis James, Tenors. . . , . ea
Dear Me—See | Call You eMahineWedley, Pas. Trot :
Dear Old Pal of Mine, Rict, Thomas Chalmers, Barleane REVERSE: Massa’s In De Cold, Cold Ground, S.C. Foster, Carolina Lazzari, Contralto.
Dear Spirit, Lead Thou Me, Miles, Metropolitan Quartet. RY Ea Ss @) Love That Wilt Not Let Me Go, Peace, Metropolitan Quartet . : s
Débutante, The—Caprice Brillante, Cla@e, Edna White, Trumpet ReVERSE: South Russian Folk-Songs, Russian Balalaika Ensemble. . . of as
DE CASTRO, CONSUELO ESCOBAR, Soprano, RE-CREATIONS by This coloratura soprano was born in San Luis Potosi, Mexico, and acquired most of her vocal training in that country. She can then be well considered a product of our neighbor on the south. Her professional debut was made in Mexico City and her success was instantaneous in the very difficult role of “‘Gilda’”’ in ‘‘Rigoletto.”” Since then she has enjoyed the admiration of Mexico in well known coloratura parts. European
« influence has been active in her career. Aside from several visits made there while studying, she has sung at the ‘‘ Teatro Lirico’”’ in historic Milan. In America she will undoubtedly
_become more and more known. At the summer season of opera at Ravinia she lately assumed twenty leading coloratura roles in ten weeks, and it will be remembered that the artists performing there were practically all Metropolitan stars. At the debut of Consuelo Escobar de Castro, she was warmly applauded after each act, and her artistry displayed then has since been widely affirmed.
Dov’2 vw INDIANA BRUNA—LAkKME, Delibes, in Italian. Reverse: Vien, diletto—I Puritani, Bellini, Consuelo Escobar de Castro, Soprano, in Italian So ANCH’IO LA VIRTO MAGICA—Don Pasguace, Donizetti, in Italian. ReVERSE: Ouvre ton coeur, Bizet, Mario Laurenti, Baritone, in French. VIEN, DILETTO—I Puritani, Bellini, in Italian. Reverse: Dov’é I’Indiana bruna—Lakmé, Delibes, Consuelo Escobar de Castro, Soprano, in Italian DE CISERNOS, ELEONORA, Contralto, RE-CREATIONS by FAITES-LUI MES AVEUX—FAUST, Gownodsint Rrenchs seis. Pepto ois MON COEUR S’OUVRE A TA VOIX—SAMSON ET DALILA, Saint-Saéns, in Pekin Reverse: Vien Leonora—La Favorita, ee Taurino Parvis, Baritone, in Italian . é ; PRINTEMPS QUI Jcumdwierestnahe ET Deis Saint-Saens, in ai reae ht: Deenah—Fox Trot, Scharf, for Dancing, Harry Raderman’s Jazz Or
chestra. REVERSE: Come and Nestle In Your Daddy’s Arms—Fox Trot, HerscherBurke, for Dancing, Lenzberg’s Riverside Orchestra.
Deep In Your Eyes—Half Moon, /acobi, Elizabeth Spencer and Geotie Wilton Ballard, Soprano and Tenor. Reverse: Half oa on Jacobi, Peerless Orchestra.
Deep River, Old Negro Melody arr. by Burleich, Ehiee Taraennt: isincs Soorn REVERSE: One Sweet Day, Zamecnik, Elvira Leveroni, Mezzooprano
De Golden Wedding—See Aunt Dinah’ s PColten Weddine Sr sc. Rte
Deh vieni alla finestra (From Out Thy Casement Glanciia Don Giovanni, Mozart; and Quand’ ero paggio—Falstaff, Verdi, Arthur Middleton, Bass-Baritone, in Italian. REVERSE: Quartet—Bella figlia dell’a more—Rigoletto, Verdi, Odette Le Fontenay, Elizabeth Spencer, Max Bloch and Arthur Middleton, Mixed Quartet, in Italian
Deh vieni, non tardar (Ah, come, nor linger more)—Le Nozze di Figaro, Mozart, Marie Tiffany, Soprano, in Italian. Reverse: Elegie, Massenet, Marie Tiffany, Soprano, in French :
De’il Among the Tailors—See The Thistle, Scotch Melodies, Part mn alice
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Price;
1.35
Lg
1.35 1.35
2528
2525
w2S5
2220 Deas
1.35
1.85 1535 252.5%
2.25 1.85