Edison Records (1918)

EDISON RE-CREATIONS A Aba Daba Honeymoon, Fields-Donovan, Arthur Collins, Baritone, and Byron G. Harlan, Tenor. Reverse: My Croony Melody, mainte Billy Murray and Chorus ? Abide With Me, Liddle, Christine Miller, Cantralto: Ravenen: pervs Me to Languish—Rinaldo, Handel, Adelaide Fischer, Soprano . y Abide With Me, Monk, Elizabeth Spencer and Thomas Ghatiners! Saprnin and Baritone. Reverse: When the Roll is Called Up Yonder, Black, John Young and Frederick Wheeler, Tenor and Baritone, and Mixed Quartet . Absent, Metcalf, Hardy irk Tenor. ReEverRSE: Song of the Vikings, Faning, Orpheus Male Chorus. . . Ree rah ee Wonks ania nate 56s ge Accordion Re-Creations ba ECHOES FROM THE Movies, Frosini, P. Frosini. ReveRSE: Through the Park March, Frosini, P. Frosini, Accordion . ITALIAN FANTASIA, Frosini, P. Frosini. REVERSE: Parana enetaon Over! ture, Frosini, P. Frosini, Accordion New York BuueEs, Frosinz, P. Frosini. Rivinnee. Saxophone Shbe: Enion Rudy Wiedoeft, Saxophone y ; POT iin ul ew ck ce PANAMA EXPOSITION OVERTURE, Fencing P. Fioati Reverse: Italian Fantasia, Frosini, P. Frosini, Accordion . ; Mal SY eae Ane THROUGH THE PARK Marcu, Frosini, P. Brin: Reverse: Echoes from the Movies, Frosin1, P. Frosini, Accordion . Adam and Eve Had a Wonderful Time—See When It’ S Ante figs enn Ti ime in Normandy Medley ; ‘ Addio del passato (Farewell to the bright trslaagiirreasiata: Verde Alice Verlet, Soprano, in Italian Adele—Song from Adele, BriquetPhilipp, Phzaberh eae ae Walter Wan Brunt, Soprano and Tenor. Reverse: | Wonder Why?—lole, Peters, Elizabeth Spencer and Walter Van Brunt, Soprano and Tenor . Adele—Waltz Hesitation, Briquet, for Dancing, National Bramenaile Band. Reverse: Dreaming—Waltz Hesitation, Joyce, for Geers National Promenade Band ? Adeste Fideles (O come, all ye faithful), Redine. isadero’ Ss Band Re“VERSE: Hallelujah Chorus—Messiah, Handel, Sodero’s Band . : ; Adeste Fideles (O come, all ye faithful), Reading, Metropolitan Ouartel. Reverse: Hark, the Herald Angels Sing, Mendelssohn, Metropolitan Quartet Admiration—Waltz Boston, Dequin, for Dancing, National Promenade Band. Reverse: Sans Souci—Maxixe Bresilienne, Green, for Dancing, National Promenade Band p oe A ieee OaN . After the Ball—See Old Timers Waltz After the Roses have Faded Away, Ball, Mitten Clark and Tosehi A. Phillips, Contralto and Baritone. REVERSE: When You Worea Tulip and I Wore a Big Red Rose, Wenrich, Walter Van Brunt, Tenor, and Chorus . Afterwards, Mullen, Reed Miller, Tenor, and Chorus. Reverse: Mocking Bird, Winner, Elizabeth Spencer ‘and Walter Van Brunt, Soprano and Tenor . Africaine, Giacomo Mevyerbeer FILLE Des Rots, Orphée Langevin, Baritone, in French. Reverse: De l'art splendeur immortelle—Benvenuto, Diaz, Cmpage bapeeuit, Baritone, in French a 3 nor’ ; a ge O ParapiEs, Jacques Gils aT hr: in ees O Parapiso, Giuseppe Anselmi, Tenor, in Italian . CV ae ars ae Agnus Dei, Bizet, Marie Rappold, Soprano, in Latin. Reverse: Hosanna!— Granter, Arthur Middleton, Bass Ah! Could I But Once More So Love, eats Laaetee: ‘Enioes B. Randolph: Tenor. Reverse: Nightingale, Vocal Waltz, Batten, Metropolitan Quartet Ah! Could I But Once More So Love, Dear, Aletier, Vincent Bach, Cornet. ReveERSE: Nightingale Song, Zeller, Vincent Bach, Cornet . Ah, fors’e lui ("Twas he, perchance)—Traviata, Verdi, Lucrezia Bori, Bas prano, in Italian . Ah, mon fils (Ah, my son) —Prophite, Nahi Marie Delaas: Contralto, in French. . . on non credea mirarti (Scarcely could I believe)—Sonnambula, iBateas: ™ Case, Soprano, i In Italian at 6 * . . * . . . . ’ > *. . . . ’ No. 50192 80177 80276 80298 50215 50199 50454 50199 50215 50134 82087 80158 50146 50304 80183 50148 50480 80218 80082 80305 83033 83025 83041 80288 50241 82539 83019 82076 Price 1.70 1.70 1tbS _ 70 — iTS 1:15 1.70 1.15 i015 1.70 3.25 S25