Educational film guide (1945)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

EDUCATIONAL FILM GUIDE 1945 EDITION 744-750 THE DRAFTSMAN — Continued "Sound excellent. Good diagrammatic drawings. Material well organized and presented. Valuable in classes of vocational guidance." California a INTRODUCTION TO MECHANICAL DRAWING. 20min 16-si-$30 1940 Cocking 744 Revision of a film first produced in 1932 Mechanical drawing Is here presented clearly and practically for the beginner. The necessary materials are lined up and the correct methods of procedure demonstrated. Drawings are actually made of articles requiring one, two and three views Col 60c Kan Wis 75c SECTIONAL VIEWS AND PROJECTIONS, FINISH MARKS. (Fundamentals of blueprint reading ser.) 15min 16-sd-$23.11 1944 Castle 744 trade Guide A US Office of education production Shows the different types of lines — dimension, center, cross section, and object; the projection of a sectional view: the locations and uses of finish marks; and the meanings of standard cross-section lines denoting types of materials B&H $1.50 SuP Dav TexVB Fi VAF $23.11 Nay VES Rice 745 Ornamental design MAKING INDIAN HAND PRINTED CLOTH. 30min 16-si-sale apply; rent $5 1941 Garmi ri an 745 Hand blocked prints made on cotton cloth, for using as bedspreads. Shows first the village Farrukhabd. Preparing the cloth, sewing the pieces together, preparing the dyes, carving the hand blocks and the hand blocking. The cloth is washed in the River Ganges, dried on the sand. It Is folded, pressed and put in bales and ready for shipment The hand blocking sequence is in color and is very attractive. The entire subject, altho it has certain roughnesses. Is Interesting and the subject is one for which films have not been obtainable 750 Painting 748 Stained glass HOW STAINED GLASS WINDOWS ARE MADE. 15min 16-si-rent $2 RFA 748 jh-sh-c-trade-adult Photographed by Simon Moselsio for Harmon foundation in 1940 "A thorough and complete study from the design to the finished window. "Well filmed. [Useful in] history of art, history and art classes." PCW film service staff B&H Ohio PH $2 MAKING A STAINED GLASS WINDOW. * 20min 16-sd-color-$144; rent $6 1942 B&H 748 sh-c-adult Produced by the University of California The technique of making a stained glass window is demonstrated step by step "Beautiful color. Excellent" commentator, interesting material." Collaborator Cal Nay Calhoun PH $6 Eng TexVE HOW YOUNG AMERICA PAINTS. lOmin 16* 16-sd-color-loan 1942 YMCA 750 el-Jh-adult This is the 1941 exhibition of Young America Paints, held annually in the American museum of natural history. New York. Film records of the exhibits for the years 1939 and 1940 are available under title "Young America paints" (listed below) The sequences of this picture consist of paintings and drawings in various mediums AMNH YOUNG AMERICA PAINTS. lOmin 16-sd-colorloan 1940 YMCA 750 el-jh-adult Produced by Spot Films, N.Y.C. for Binney and Smith After a view of the American Museum of Natural History we see children engaged in doing various art projects. Finger painting and stencilling is shown in some detail. Exhibits of work at the elementary, Junior high and senior high levels are shown — also an exhibit of miscellaneous work. Practical uses of stencilling are shown "Here is a superb color film that Is, or should be, inspirational to young children up to the junior high school. Basically a review of the fourth 'Young America paints' art exhibition, in which some of the shots are too distant to be of much footage value; some closeups are excellent. "Interspersed are views of young people using certain artistic media under the supervision of adults, and some of these should cause every youngster's hand to itch to get started. Throughout the color is excellent. Sound on our print was amateurish." J. Frederic Andrews "Sound in the print very poor. Material excellent." Collaborator AMNH YOUNG AMERICA PAINTS— 1940. lOmin 16sd-color-loan 1941 YMCA 750 el-Jh-adult This is a film record of the fifth annual exhibition of Young America Paints, held In the American museum of natural history. New York. Marie Falco, Art Director of Young America Paints is introduced. We see the Museum Screens full of paintings as we learn that 120 pictures were shown, an excellent cross section of young America's work. Naturally all of them could not be included in this film and the pictures shown were chosen for photographic color value or to explain the use of a particular medium Finger painting is demonstrated, and Ruth • Shaw, author and lecturer on education and psychology who introduced finger painting into this country is seen at work. We see one of her finished pictures and some of the things finger painting can be used to decorate are suggested To a musical accompaniment we see an elementary group of paintings. Interesting work with wax crayons is shown in enough detail and with enough explanation to permit one to go and do likewise. Panels representative of the work of junior high school students are seen. Work with dry color in compact form, applied dry with a felt tipped brush is demonstrated Then come panels which are examples of work done by senior high school studen-ts. Most of the work is impressionistic but there are numerous abstractions and many examples of textile and wall paper designs 343