The educational screen (c1922-c1956])

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The Educational Screen REVIEWED PREVIOUSLY IN SEPTEMBER III I: STORM I 1'mvcrsal Jewel). Violent and oM incltxlr.tm.i; excellent acting. (School and community if censored.) liRAXDM.VS HOY (Associated Exhibitors; l'.itlu- distribution). In which Harold Lloyd grad- uates from even Lloyd Slapstick. (School and comtnunity.) A WOMAN OF NO IMPORTANCE (Select). One of the year's best. (Theatrical only.) THE CROSSROADS OF NEW YORK (First National). Very funny if you get it! (Theatrical only.) SONNY (First National). A Barthelmess film; passport enough. (High school and community.) THE BACHELOR DADDY (Famous Players- Lasky). A serious bachelor's triumph over five "banes of his life." (School, Church and com- munity.) ORPHANS OF THE STORM (United Artists Corporation). A barely even toss-up between Grif- fith talent and Griffith weakness. (High school and community.) THE DUST FLOWER (Goldwyn). In which the cold silence of the cinema takes unto itself warmth and chuckles! (School and community.) OUR LEADING CITIZEN (Famous Players- Lasky). Pretty reliable. (School and community.) THE MAN FROM HOME (Famous Players- Lasky). Fair. (Community.) DOMESTIC RELATIONS (First National). "Will pass in a crowd!" (Possible church use.) WHAT NO MAN KNOWS (Equity). Old plot, reassuring narrative. (Theatre only.) FOR THE DEFENSE (Famous Players-Lasky). Indifferently good. (Theatre only.) STOLEN MOMENTS (Silton). Good for nothing. HURRICANE'S GAL (First National). Red and dashing melodrama. (Community use with censorship.) THE $5 BABY (Metro). A wholesome Ghetto tale. (School, church and community.) NORTH OF THE RIO GRANDE (Famous Players-Lasky). Western yarn. (Some school and community use.) THE WOMAN WHO WALKED ALONE (Famous Players-Lasky). Good melodrama. (Some community use.) FASCINATION (Metro). An inexcusable film. (Theatre only.) THE PRIMITIVE LOVER (First National). Indifferently good comedy. (Some community use.) ALWAYS THE WOMAN (Gnl.lwyn). »ioot for nothing. IN OCTOBER NANOOK OF THE NORTH (Pathe). An fl cational epic. (School, church and communm use.) HER GILDED CAGE (Paramount). A some what sentimental offering saved by the exampleM loyalty between sisters. (Theatrical only.) BLOOD AND SAND (Paramount). Pictoriall) beautiful; disappointment largely. (Theatrics only.) JUST TONY (Fox). A splendid vehicle foi Tom Mix's horse. (School, church and community use.) THE FAST MAIL (Fox). Breathless melo- drama of an elder day. (Theatrical only.) THE NEW r MOON (Selznick). Indifferent^ acceptable. (Theatrical only.) HUMAN HEARTS. (Universal-Jewel). Typ- ically House Peters, big, rough, sincere. (Som, community use.) CONFIDENCE (Universal). A ludicrous fail ure. (No use whatsoever.) KINDRED OF THE DUST (Goldwyn). I splendid production. (Some church and community use.) IF YOU B'ELIEVE IT, IT'S SO! (Paramount A passingly good family film. (School, church am community use.) LOVES OF PHARAOH (Paramount). Al abominable spectacle film. (Church?) MORE TO BE PITIED THAN SCORNED (C B. C. Films). No excuse for existence. (No list zi'hatsocver.) HEROES AND HUSBANDS (First National) A series of MacDonald poses. (Theatrical only.] THE BONDED WOMAN (Paramount). Fail only. (Some church and community use.) THE DICTATOR (Paramount). Pathetic am tiresome. (Theatrical only.) WHILE SATAN SLEEPS (Paramount). Fever ish rot. (No use whatsoever.) NICE PEOPLE (Paramount). Well adapted am well acted. (Theatrical only.) BACK TO YELLOW JACKET (Arrow Pic- tures). Generally poor. (Theatrical only.) THE SIREN CALL (Paramount). A good fa north tale competently acted. (Some community use.)