We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
pHE EDUCATIONAL SCREEN Editorial Section Fol. I December, 1922 No. 10 Special Announcement The Educational Screen has taken over The Moving Picture Age, thus combining the only two magazines in the visual field which have been devoted exclusively to the educational cause and free from embarrassing connections with the commercial field, The first com- bined issue will appear in January, 1923, under the name THE EDUCATIONAL SCREEN (Including The Moving Picture Age) On January 1st, this magazine will have the largest paid circulation ver attained by any magazine in this field. The page-size of the present Educational Screen will be enlarged to be standard dimensions for serious magazines in both the literary and ducational fields—such as The Bookman, The Atlantic Monthly, The Clas- ical Journal, The School Review, etc. The number of pages will be increased from 32 to 48. Better paper tock will be used for both the body and cover. The policy of independence from outside commercial control will be trictly maintained. The Chicago office has been moved to larger quarters in the Mailers >uilding, one of the most central and generally desirable locations in the ity. The new address is 5 South Wabash Avenue. The above announcement means that there is now but one serious nd independent magazine in the field. It means that there is at least one lagazine—and only one—that can logically invite the support of the fhole visual field, educational and commercial alike. READERS can hereafter keep in touch with the whole movement by ubscribing to a single publication at the same price of $1.00 a year. CONTRIBUTORS can now reach their maximum audience by a single rticle in this one organ. ADVERTISERS can reach the entire non-theatrical field by a single dvertisement in the one impartial medium serving that field. 311