The educational screen (c1922-c1956])

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888 The Educational Screen lllKKUANE'S GAL (First National). Red and dashing melodrama. (Community use with censorship.) THE $5 BABY (Metro). A wholesome Ghetto tale. (School, church and community.) NORTH OF THE RIO GRANDE (Famous I'luyrrs-Lasky). Western yarn. (Some school and community use.) I UK WOMAN WHO WALKED ALONE (Famous Players-Lasky). Good melodrama. (Some community use.) FASCINATION (Metro). An inexcusable film. (Theatre only.) THE PRIMITIVE LOVER (First National). Indifferently good comedy. (Some community use.) ALWAYS THE WOMAN (Goldwyn). Good for nothing. IN OCTOBER \A.\OOK OF THE NORTH (Pathe). An edu- cational epic. (School, church and community use.) 11KR GILDED CAGE (Paramount). A some- what sentimental offering saved by the example of loyalty between sisters. (Theatrical only.) BLOOD AND SAND (Paramount). Pictorially beautiful; disappointment largely. (Theatrical only.) JUST TONY (Fox). A splendid vehicle for Tom Mix's horse. (School, church and community use.) THE FAST MAIL (Fox). Breathless melo- drama of an elder day. (Theatrical only.) THE NEW MOON (Selznick). Indifferently acceptable. (Theatrical only.) HUMAN HEARTS. (Universal-Jewel). Typ- ically House Peters, big, rough, sincere. (Some community use.) CONFIDENCE (Universal). A ludicrous fail- ure. (No use whatsoever.) KINDRED OF THE DUST (Goldwyn). A splendid production. (Some church and community use.) IF YOU BELIEVE IT, IT'S SO! (Paramount). A passingly good family film. (School, church and community use.) LOVES OF PHARAOH (Paramount). An abominable spectacle film. (Church?) MORE TO BE PITIED THAN SCORNED (C. B. C. Films). No excuse for existence. (No use whatsoever.) HEROES AND HUSBANDS (First National). A series of MacDonald poses. (Theatrical only.) THE BONDED WOMAN (Paramount). Fair only. (Some church and community use.) THE DICTATOR (Paramount). Pathetic and tiresome. (Theatrical only.) WHILE SATAN SLEEPS {Paramount). Fev«J ish rot. (No use whatsoever.) NICE PEOPLE (Paramount). Well adapted and well acted. (Theatrical only.) ..J BACK TO YELLOW JACKET (Arrow Pic- tures). Generally poor. (Theatrical only.) - - J THE SIREN CALL (Paramount). A good fJ north tale competently acted. (Some community use.) IN NOVEMBER WHEN KNIGHTHOOD WAS IN FLOWEB (Cosmopolitan). Thoroughly satisfactory. (Somt school, church and community use.) THE FACE IN THE FOG (Cosmopolitan), Corking melodrama. (Community use.) THE PRISONER OF ZENDA (Metro). One of the greatest achievements of the screen to date. (Theatrical, some church and community use.) THE ETERNAL FLAME (Selznick). Aver- agely poor, but opinion varies greatly. (The- atrical only.) BROADWAY ROSE (Tiffany). A fair Mur- ray film. (Theatrical only.) MANSLAUGHTER (Paramount). A good film spoiled by certain over effects. (Some school, church and community use.) TO HAVE AND TO HOLD (Paramount). A worthy swashbuckling film. (Theatrical only.) THE VALLEY OF SILENT MEN (Cosmo- politan). A mounted police tale. (Theatrical only.) WHITE SHOULDERS (First National). Worthless. (No use.) BURNING SANDS (Paramount). Poor. (The- atrical only.) THE BONDBOY (First National). A miserable disappointment. (Some church and community ■use.) REMEMBRANCE (Goldwyn). Sentimental, perhaps even maudlin. (Some church and com- munity use.) THE GHOST BREAKER (Paramount). A Reid failure. (Theatrical only.) LOVE IS AN AWFUL THING (Selznick). Thoroughly funny. (Theatrical and some com munity use.) SOUTH OF SUVA (Paramount). Poor. (The- atrical only.) PINK GODS (Paramount). Good. (Theatrical only.) THE KICK BACK (R. C. Pictures). Very poor. (Theatrical only.) MOONSHINE VALLEY (Fox). With th. nauseating Wm. Farnum. (No use.)