We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
It's d^jpfc for the Best in SLIDE BINDING MATERIALS
^g0m%. MOUNTS FOR
^diSl^ 2X2 READYMOUNTS
Employs one-piKC
aluminum frame and
ultra-thin micro glass
for mounting
transparencies in
Eastman standard
Readymounts. Films
are not removed from
Readymounts. Sandwiched between the glass
sheets, Readymounts are simply inserted into
aluminum frame, and frame end folded over
-and slide is finished. Frame (s standard size and tliichness-lits any
pfojector or viewer.
No. 20 (20 frames and 40 jjass) Per Box $2J»
No. 202 (100 frames and 2O0 elass) Per Box (8JXI
jgSm%. 2X2 ALUMINUM FRAME miliSi^ &35MM D.F. FOIL MASK
New double-fold
aluminum mask and
one-piece 2x2 frame is
designed to meet most
exacting demands of
color film users wt)o
desire ease of assembly
and all possible protection
against Newton Rings, film t)uckling, moisture,
fungus, etc.
All metal and glass attracts utmost minimum of
moisture-the real cause of steaming and
fogging of slides.
Per Box
No. 350 (20 frames. 20 masks and 40 slass) ..... .$2iN)
N0.135-D (100 frames, 100 masks and 200 glass)... $8J)0
. 2 X 2 FRAME AND MASK FOR SUPER-SLIDE & 127 COLOR FILM
New aluminum foil
mask accommodates
either Super-Slide
films cut down
from 2Vi' square
films (Rollei si»), or
new 127 color
film. The ZV*'
square film is merely cut to exact size of
doiAle fold mask, placed in folded mask
between glass, and inserted in familiar tmde ''
2x2 aluminum binder. The 127 film is slightly
smaller than folded mask, so film is merely
taped to one or two edges of mask before folding.
Per Box
lu («i^^^ frames. 20 masks 1 40 glass) .$2J)0
*•• '""t (100 frames. 100 masks 1 200 glass) . . . . $800
2% X 2% ALUMINUM FRAME & 2% X 2% ALUMINUM FOIL MASK
for 120 and 620
fttm used in
ever-popular reflex
cameras. This
binder offers a new
idea in binders
of this size by
providing aluminum |
foil double fold
mask to eliminate
direct contact of film and glass. It is designed
to meet (fie most exacting demands of color film
users who desire ease of assembly. This all
metal and glass binder provides utmost protection
against Newton Rings, film buckling, moisture, fungus, etc.
Per Box
No. 12 (12 frames, 12 masks, 24 glass ft data labels) . $1.75 No. 50 (50 frames,50 masks, 100 glass ft data labels) .$6.95
On the SCHEEH
This Month's Cover
Our cover, highly apiiropriate to this festive season, is taken from the Coronet fihn Christmas on Grandfather's Farm. This picture recreates rural America in tlie 18!)()\ thnnigh a happy Christmas reunion on Grandfather's farm, revealing the spiritual, physical, economic and sociological aspects of the period through a warm and charming story. The two-reel. 1 6mm sound motion picture is available from Coronet Instructional Films, 65 East South Water Street. Chicago 1. Illinois.
In Store for January!
Heading a group of interesting stories to initiate our thirty-eighth year of publication is Dr. Don Williams' inspiring account of the Iranian project of Syracuse University's Overseas Film Unit. In cooperation with the United States Federal government and the government of Iran, the Syracuse Audio-Visual Center set out eight years ago to make films designed for Iranian audiences right on their native soil. It has succeeded in establishing the educational motion picture and other audiovisual materials in use almost all over the country.
-Also on the list is an explanation by Dr. Edwin Swineford of the obstacles faced by many teachers in their attempts to use audiovisuals. Other features include helpful suggestions by Edgar Parsons on the prevention of embarrassing, costly equipment failures and a how-to-do-it story demonstrating a microphone hoist in use at San Jose State College.
AV With Religious Emphasis Scheduled for February
The February issue of Educational Screen b Audio-Visual Guide will be designed to further the use of audiovisuals in church-sponsored groups and to aid those engaged in this work in the selection of materials, wise use of budgets and other problems. Of course, this is only an extension of what our Church Department editor. Bill Hockman, ably strives to do in his columns every month. For an overall national view of the religious use of audiovisuals, see the article ".\V in Christian Education" by .-\lva I. Cox, Jr., in this issue.
Annual Index Expanded
1 lie index of articles, editorials and reviews, an annual feature to be found in the December issue, has been enlarged this year to include brief subject descriptions of each feature article and each of Paul Reed's editorials.
.■\lso. the subjects have been listed, with the pages on which fall the articles ]>ertaining to them. Please bear in mind when using this index that lliis publication is paged consecutively throughout the year.
Our Apologies, Mr. Arthur!
Through an oversight, we neglected to mention that the film from which the November cover picture was taken, "The History of the Cinema," is a Georsr K. i-Jr^/jio— Brandon Films release.
-ES
EMDE PRODUCTS
2040 Stoner Avenue Los Angeles 25. Calil.
EDUCATIONAL SCREEN & AVGUIDE
EDITORIAL STAFF
PAUL C. REED, Editor. ENID STEARN, Managing Editor. WILLIAM S. HOCKMAN, Editor for the Church Field. L. C. LARSON and CAROLYN GUSS, Editors for Film Evaluations. MAX U. BILDERSEE, Editor for the Audio Field. PHILLIP LEWIS, Technical Editor. IRENE F. CYPHER, editor for New Filnnstrips.
BUSINESS STAFF
H, S. GILLETTE, Publisher. MARIE C. GREENE, WILLIAM LEWIN, Associate Publishers. JOSEPHINE H. KNIGHT, Business Manager. PATRICK A. PHILIPPI, Circulotion Manager. WILMA WIDDICOMBE, Advertising Production Assistant.
Advertising Representatives
WILLIAM LEWIN, 10 Broinerd Rood, Summit,
N. J. (Crestvicw 3-3042) WILLIAM F. KRUSE, 2000 Lincoln Pork West
BIdg., Chicago 14, III. (Bittersweet 8-5313)
EDITORIAL ADVISORY BOARD
JAMES W. BROWN, School of Education, San Jose State College, California
EDGAR DALE, Head, Curriculum Division, Bureau of Educationol Research, Ohio State University, Columbus
AMO DE BERNARDIS, Assistant Superintendent, Portland, Oregon, Public Schools
MARGARET W. DIVIZIA, Supervisor in Charge, Audio-Visual Education Section, Los Angeles City Schools, Los Angeles, California
W. H.. DURR, Supervisor, Bureau of Teaching Materials, State Board of Education, Richmond, Virginia
CHARLES F. HOBAN, Project Big Ben, University of Pennsylvania, Philadelphia
EMILY S. JONES, Executive Secretary, Educational Film Library Association, New York City
F. EDGAR LANE, Supervisor, Instructional Materiols Department, Boord of Public Instruction, Dode County, Florida
F. DEAN McCLUSKY, Professor of Educotion, Head of Audio-Visuol Education, University Extension, University of Californio at Los Angeles
SEERLEY REID, Chief, Visual Education Service, U. S. Office of Education, Washington
CHARLES F. SCHULLER, Director, Audio-Visual Center, Michigan State College, East Lansing, Michigan
ERNEST TIEMANN, Director, Visual Instruction Bureau, Associate Professor, Division of Extension, The University of Texas, Austin
DON WHITE, Executive Vice President, National Audio-Visual Association, Fairfax, Virginia.
604
EdScreen & AV Guide — December, 1958