Elephant dance (1937)

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comes from all the plantations and settlements for Birthday miles around; guest palaces and jockey and hunt clubs ^cue^ and hotels are all full and overflowing into tents that have sprung up like mushrooms everywhere. Garden parties, teas, a command dinner at Government House, all very much in the English manner with a strong British stamp. Delhi on a smaller scale — all except the Royal Birthday Procession — that was India, an India worth sailing the seven seas to see. Thousands of the finest horses in regiments of flash The ing colours; be-turbaned troops in gorgeous, exotic Maharajah's livery, astride beautiful mounts caparisoned with leo 'r J r Procession pard skins; the royal and sacred elephants, wonderful to see in gold and silver brocade and jewelled trappings. And the Maharajah and his heir in the midst of it, in pale green and gold and rose and gold; His Highness riding upon a pure white Arab charger. It was no theatrical show but impressive dignity. 'H.H." The Maharajah is a little, pale man with a kind, sad face. His city is his jewel. He goes up every night to his temple and dwelling on his high hill to meditate over it and institute projects for the people — arts and crafts, a silk mill, sandalwood mill, a model farm, a model village, water power — and summons to his projects the best machines, materials and brains of Europe, so that Mysore is the best administered state in India. The personality of the little man, whose essence I feel everywhere, intrigues me mightily. 25