Elephant dance (1937)

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Our Palace and plaster, about as human as a stone statue and as mysterious. It was built for the Maharajah's grandmother ninety odd years ago. A fortune teller in Paris once told me I should be 'equally at home in a hut or in a palace'. I suppose this is the palace. Daddy says we must have snake charmers come in and clear the place of snakes before we settle in. We had to find one white character for our story, a white hunter of elephants, 'Peterson Sahib'. There was no mistaking him when we found him, almost at once, in the person of an up-state coffee planter, with a kind and competent, weather-bitten face, most photographable. He, Captain Fremlin, was actually a hunter —a shikari as they call them in India — and a very fine one, the best in Mysore; and a very fine shot, which was to prove more useful than we knew. He had been forty years in the country and could tell us all we didn't know about it. And best of all he played bridge. Now I could keep Daddy off that horrible, exasperating game of Caram! Next we had to find our locations, i.e. to explore our surroundings for their picturable possibilities and decide where we were going to make our scenes. Tuesday, June 4th. Dear Ones, Two lovely drives yesterday and to-day, looking for jungle locations. Yesterday to the Nilgri (blue) 34