Elephant dance (1937)

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minutes later out came Ranga Rao, holding at arm's The Baby length a small thing dripping wet. The luckless little Monkey creature had jumped straight into a tub of water. Yes, it got back to its mother. No more baby catching for us. I thought the monkeys would hate us and desert the compound. But they didn't. Next day they were all back, swinging and shrieking in the trees again; even the baby. But the other day in the road a monkey was dead. None of our men would touch it. Instead they went to fetch a priest and rose water and incense, in order to perform a proper ceremony to bury it. Yes, the monkey is sacred. We fixed up a splendid laboratory in the old servants' quarters of our palace — an ideal place for it. My husband usually travels light on his expeditions, with as little extra work, as few people and as little outfit as possible. It is easier that way, less distracting. There are not so many people and things to keep going then, if one might wish to stop, once in a while, to think. But this Indian film was different. There was to be no stint of people and everything possible to help us make the picture and make it quickly; which was all very good fun for our large Indian staff; for our confreres from London as well, who were enjoying the whole thing with us. 43