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Elephant dance (1937)

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the best location for our jungle scenes. It was to Kara Wtgo out pur that we intended to come for them after the mon t0 sll00t soon was over. I dreaded the shooting part of this expedition but we had to have experience and get acquainted with our jungle and wild actors, and with the jungle men, and with the forest rangers with whom we should have much to do. The game preserve officer was out to shoot five elephants that had been giving trouble in the teak plantations near Begur across the river. These were not rogues, but single tuskers, wild, grown fond of teak saplings and paddy, and grown bold by successive raiding of the tempting paddy fields. The natives are not allowed to carry fire-arms. Tom-toms and bamboo clackers, Mr. Wild Elephant soon knows, only make a noise. So the D.F.O. (District Forest Officer) and the G.P.O. (Game Preserve Officer) get together and the G.P.O. brings out his big elephant gun and a company of soldiers. If you shoot an elephant you must shoot to kill, both for the poor beast's sake and your own. There are two places where a well-placed shot is fatal. One is on the side in the earhole, the other in front at the top of the trunk. If wounded, the elephant charges, covering this vulnerable spot by curling up his trunk. Begur lies across the river from Karapur. One crosses the river on a bamboo raft. Unfortunately, by the time we arrived in Karapur the river, swollen by 47