Elephant dance (1937)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

a while he would lift his trunk up, up and let out a Poor heart-rending cry. Irawatha! Bob got out the cameras and filmed him. He had the mahout throw him a bunch of leaves as though urging him to eat, and Kala Nag, his head still swaying, swished it up in his trunk and swished it around and finally threw it in a completely mad gesture over his head, where it hung awry, like Ophelia's wreath. This sounds funny, but actually in the film when we ran it, it was quite as affecting as it was to see. The poor elephant was most evidently in the depths of an agony that made you feel very sorry for him. Mysore. Nov. . . . Bob always has the luck. I told you, didn't I, that our elephant, Irawatha, went ' Musth', and we couldn't use him all the time we were in Melkote. It was an ill wind that blew us plenty of good, for we took pictures of the poor creature in his painful, uneasy state, and it made him look just as we want him to look in the story when he is 'grieving for his master' ! . . . The film begins to look like something. The casting is over and the first third of the picture, all the opening scenes, are shot. And now for our big dramatic scenes in the jungles we are taking a fresh leap into the unknown and incalculable. 81