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PHYSICAL
THEATRE
Volume VT
March 7, 1951
Number 3
OPEN FRIDAY TWO PM
THE TRIANGULAR FRONT OF THE CARVER MERGES QUITE NEATLY INTO ITS STREET CORNER SITE
ALTHOUGH the colored population of the United States has been steadily increasing for the past few decades, there has been an unfortunate tendency in the entertainment world to overlook the importance of this rapidly growing minor¬ ity. The theatre industry, for example, has until recently failed to recognize the prominent position of this group from a potential patronage viewpoint.
Due to their steadily improving eco¬ nomic situation, the country’s Negroes now have more entertainment dollars to spend than ever before in their social history, and it is incumbent upon theatremen to make a more concentrated effort to attract a greater portion of these amuse¬ ment funds. They can do so by convinc¬ ing the Negro that his patronage is as welcome as anyone else’s and by seeing to it that houses in colored neighborhoods are just as finely appointed as other sur¬ rounding modern houses. The Negro patron, too, is entitled to as much for the ticket he buys.
THE CARVER, NEW ORLEANS
In a noteworthy and commendable effort to build up a loyal and sizeable patronage in one of the heavily colored sections of New Orleans, the de luxe 1050-seat Carver was opened at 2101 Orleans Street on Sep¬ tember 29, 1950, by Jack A. Dicharry and Mrs. Henry Lazarus. The former is a pioneer theatre operator in the city with approximately 25 years of local experi¬ ence, while the latter is owner of the Henry Lazarus Theatres chain in New Orleans and three Bryan, Tex., houses. The Dicharry-Lazarus partnership, which presently functions under the name Jadel Theatres, Inc., was originally formed in 1937, when the two joined forces to build the Circle in New Orleans.
Exterior Construction
Named in honor of the famed Negro educator and scientist, George Washington Carver, the house was designed by archi¬ tect Jack Corgan, of Dallas, and features a fireproof construction of steel, brick, and concrete blocks. The building was erected on a lot approximately 78' by 155' and provides ample office space in addition to the exhibition facilities.
The front combines both light and dark brick facings with two-tone buff above and oatmeal color tile with maroon trim below. An “island” type boxoffice faces
A Modern All-Negro Theatre
facilities Of Highest Order Are Present In New Orleans House For Colored Patrons Only
INDIRECT CONCEALED LIGHTING sheds a warm glow over the tasteful simplicity of the auditorium in the upper illustration. ABOVE — Popcorn, candy, soft drinks, and a wide variety of other types of refreshments are sold at the attractive and well-staffed foyer concession counter to outside trade also.
March 7, 1951
PHYSICAL THEATRE DEPARTMENT of EXHIBITOR
PT-5