The Exhibitor (Jun-Oct 1939)

Record Details:

Title:
The Exhibitor
Date:
Jun-Oct 1939
Publisher:
Philadelphia, Jay Emanuel Publications, Inc.
Volume:
The Exhibitor (Jun 1939-Oct 1939) New England Edition
Leaf #:
000870
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Regional trade paper that began in Philadelphia, but expanded to include editions for other markets.
Date Added:
March 21, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

28 THE EXHIBITOR PROVIDENCE, RHODE ISLAND SYRACUSE, NEW YORK SEATTLE r*«nr-w« Starting TODAY; STARTS r TOMORROW Doom Open 8:30 A. M. ' ^ X HINTS ON NEWSPAPER ADVERTISING Paramount, No. 68 — "The Star Maker” (Paramount) It is interesting to note in this page of layouts that very little effort is being made to impress audiences with the fact that there are a lot of little kids in “The Star Maker.” This must be taken to mean that moppets don’t pay off at the box office at all times, and we must admit the judgment used is rather good. There is no denying the fact that Bing Crosby is the picture’s biggest asset, although the femme angle isn’t ignored. Some have used Louise Campbell while others have inserted Linda Ware. In some areas, the name of Walter Damrosch is important, although this would probably have to be in the artie spots. September 20, 1939