The Exhibitor (Nov 1938-May 1939)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Throwing to the discard all the usual appurtenances of theatrical design, and making full use of the inherent qualities of the materials selected. Architect Rosario Candela created in the new Normandie Theatre for Robert Walton Goelet a cinema which is not only the last word in comfort and clubby atmosphere but is also a present materialization of what may be expected in the theatre of tomorrow. Patterned after the theatre on the SS. Normandie, the house is, inside and out, without embellishment, the only decoration being the shades of color of the material used, with the whole enhanced through the utilization of light as an integral part of the design. Starkly simple throughout, as even a casual glance at the pictures on this and the two following pages will reveal, the Normandie possesses that same swank appeal so characteristic of those select hostelries where the fastidious patron may find every item of operation entirely up to his most exacting demands. Yet, despite the severity of the theatre, there is a compelling atmosphere, an atmosphere which not only invites patronage but also makes each customer desire to relax either in solid comfort in the auditorium while viewing Hollywood's artistic creations or in equally placid luxury of the lounge or lobby to wile away some minutes in the serene surroundings of the "Club Normandie". 1939 PRESENTATION No. 4 The New NORMANDIE New York, N. Y. Architect: Rosario Candela, New York. Associate: Benjamin Schlanger, New York. Owner: Robert Walton Goelet, New York. j INTHEATRICAL indeed is the iacade oi the Normandie Theatre which, other than the two built-in three-sheet boards, has few ° ^ ^ai^less steel :s normally thought of as being part and parcel of modern theatre properties. The prominence, suggestive of a marquee a-borning is of sta.niess s lee id devoid of any kind of lettering. Rising above the building level is a "tower'' on which, in vertically arranged letters, the theatre name, at night Jck lighted, the whole giving the aspect not so much of a theatre as a swank hostelry or apartment house. ,