The Exhibitor (Nov 1938-May 1939)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

I8d BETTER MANAGEMENT WASHINGTON, D. C. Life" sometimes pluck* plain hottest people from , thelrjeveryt i*r ob«curItyJfturnln4 hostile' eyti'on their innermost dreams. Drama at its greatest 1 BimtsSbTMffNIUHM ACOUMMUI STURTS Today htot,.aMucBt -wKiMisnow-®[iiitrti*iO'jff GENTLEMEN BE SEATED He MtWf Mr £US VAN • Win SUSSWUS'Ki tli t Emt! miYMlE'Cssper uw t h* • ret uffiissuns • hi «s • ur Bin • mt kurion * mm hud E.sr 16 EARLE ROXYETTES w.** EARLE Hints on Newspaper Advertising No. 22 — "Let Us Live ” ( Columbia ) The Columbia pressbook on this drama being what it is, it is only natural that good use is made of it by several of the above theatres. The pressbook is a finished accomplishment and the ads offer plenty of opportunity for use by aggressive exhibitors who play the show. In the first playdates for the show, represented above, it became apparent that the Henry Fonda-Maureen O’Sullivan star names were considered of definite selling value, together with plenty of accent on the title. Outside of that, the selling angles differ. It is difficult, of course, to give any inkling of the story without becoming involved in this case, so the above admen concentrated on selling lines such as: "Why does the world gang up on us?”; "All these kids asked of life — was a break”; "Drama at its greatest”; "A story for all the people who make up America”; "All they wanted was a chance to live their own lives.” None of the copy indicates what the background of the story is. We think that this might have been done to some better advantage. The title, of course, is a good one, but we still insist that some people want some idea of just what sort of background there is. Maybe we’re wrong, but the copy used above might be applied to plenty of dramas without specifically referring to any. The name of Ralph Bellamy is minimized in most of the ads, but it should be included. Baltimore had Fonda "even greater than in Jesse James,” a new angle; while Washington’s "drama born of a love so unconquerable that death itself surrendered its power” takes the cake for something or other. Fonda’s presence in "Jesse James” helped him aplenty, so perhaps top billing might be an added advantage. All in all, there seems to be room for some new copy angles here — bear that in mind when you play the show. March 29, 19)9