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(Continuing 1939-1940 Prospectus from preceding pages )
THE YEARLING, Marjorie Kinnan Rawlings’ successful novel; Victor Fleming, director.
WINGS OVER THE DESERT, Harold Buckley’s melodrama of aviation over Sahara.
SEA OF GRASS, Conrad Richter’s novel of embattled farmers and cattle men in New Mexico; awaiting availability of Spencer Tracy and Myrna Loy.
KIM, Kipling’s famed novel, plans for which call for record studio budget.
SOLDIERS THREE, another Kipling thriller.
QUO VADIS, a multi-starred production by the creators of “Ben Hur.”
THE RUINED CITY, starring Robert Donat; based on the celebrated novel “Kindling.”
THE GREAT CANADIAN, Clark Gable and Myrna Loy; story of the American hockey circuit by Robert Hopkins and Vicki Baum.
HOUSE OF GLASS, melodrama by Max Marcin; Joan Crawford.
A LADY COMES TO TOWN, by Clements Ripley; being prepared for Joan Crawford.
BEAU BRUMMEL, by Clyde Fitch; planned to star Robert Donat.
I HAD A COMRADE, descriptive of presentday conditions in Germany; by a British nobleman, Viscount Castlerose.
AMERICAN NEWLYWEDS. Introducing a new family series, dealing with a typical young married American couple; now being developed by those who created the Hardy and Kildare series.
MAY FLAVIN, Myron Brinig’s novel of an abandoned wife’s life struggle.
THUNDER AFLOAT, Ralph Wheelwright and Commander Harvey Haislip’s story of submarine chasers during last war; W allace Beery.
SMILIN’ THROUGH, starring Jeanette MacDonald; a triumphant musical version of the immortal heart-stabbing romance.
I LOVE YOU AGAIN, by Octavus Roy Cohen; awaiting availability of William Powell and Myrna Loy.
HANDS ACROSS THE BORDER, by Gene Towne and Graham Baker; friendly rivalry on the hockey field between Canadian and U. S. military academies; starring Robert Taylor.
EARL OF CHICAGO, starring Robert Montgomery; Brock William’s engaging, fast-moving story.
THESE GLAMOUR GIRLS, Cosmopolitan Magazine story by Jane Hall and Marion Parsonnet; for selected young female players.
Further HARDY FAMILY and DR. KILDARE
productions, continuing the high standard which have established these two great American themes among picture-goers.