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BROADWAY! Broadway, with its great, gushing tides of pleasure-bound humanity; its myriad lights, its roar — its clatter hd lure in every sound and sight of it. Broadway, the heart of Pleasureland — that's what Adrienne coveted. She wanted it atrr feet, her dainty brocaded and satin shod feet, so nimble in the dance. She yearned for the applause that was to feed the flame ofpi peacock vanity. A home, a life of ease, the love of a good man — all would she sacrifice on the altar of her tawdry ambition.
Not so with Drina. New York itself, any part of it, was the Paradise she sought, even though to gain it she ha<| masquerade as her twin sister.
Fate forced her to masquerade as the wife of her twin sister's husband. The stage was set. Circumstances conspired with the modest little wren-like Drina to carry out her sister's wish witht stepping over the line that she had drawn about her irreproachable morals. The husband was fooled. Adrienne and Drina tip selves were fooled! But Destiny sat, grim and undeceived, and on the opening night of "The Broadway Bubble" set their world crashing down about them.
The spectator is entirely oblivious of Corinne Griffith from the first flash to the final fade-out of this remarkable picture sees only magnificent Adrienne and modest Drina playing their game against Fate.
Masterful Double Exposure — Impressive Settings — Elaborate Gowning
A Vitagraph Production Directed by George L. Sarj|
From the story by Leon Gordon Giltner, in Young's Magazine