Exhibitors Herald (Jul-Sep 1922)

Record Details:

Title:
Exhibitors Herald
Date:
Jul-Sep 1922
Author:
Exhibitors Herald Co.
Publisher:
Chicago, Exhibitors Herald
Volume:
Exhibitors Herald (Jul-Sep 1922)
Leaf #:
0001150
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

28 EX II 1 I ! I TO RS H E RALD September 23, 1922 Floyd S. Wadlow, Virginia theatre, Detroit, and his family. Little 12 months old Virginia is the boss of the family. Natalie Keaton, Constance Talmadge, Buster Keaton, Jr., and the First National comedian. Wonder what Buster, Sr., is thinking about? Frank Mayo, Universal star, indulges in some strenuous exercise. Frank must keep the flower garden in trim for Dagmar Godowsky (Mrs. Frank Mayo). Left to right: Fred North, the new manager for F. & N. branch at Detroit, and H. A. Bandy, district manager for F. & N. North took charge August 21. Sid Grauman has a chat with Hobart Bosworth who is playing the shipbuilder in Marshall Neilan's "The Strangers Banquet." Between kitchen scenes in "Kick In," the new George Fitzmaurice production for Paramount, Kathleen Clifford illustrates one means of producing harmony on the pots and pans. And she is doing it to the apparent discomfiture of Betty Compson. "Kick In," which has just been completed, is scheduled for distribution among Paramount's first "forty-one." Left to right: J. Karbal, owner of the new Harper theatre which opens this month in Detroit, and William H. Clark who will manage the house.