Exhibitors Herald (Jul-Sep 1922)

Record Details:

Title:
Exhibitors Herald
Date:
Jul-Sep 1922
Author:
Exhibitors Herald Co.
Publisher:
Chicago, Exhibitors Herald
Volume:
Exhibitors Herald (Jul-Sep 1922)
Leaf #:
0001240
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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32 EXHIBITORS HERALD September 30, 1922 Three scenes from "When Knighthood Was in Flower," the Cosmopolitan feature which is playing at the Criterion theatre in New York. This is Marion Davies most ambitious production. This panoramic still is an interesting character study of members of the notable cast of Marshall Neilan's initial picture for Goldwyn, "The Stranger's Banquet." Seated in the foreground are Producer Neilan and "Teddy," the dog star. Standing, left to right: Hobart Bosworth, Rockcliffe Fellowes, Thomas Holding, Ford Sterling (continue on page opposite). Exchange managers and salesmen attending one of a series of conventions which have been held by First National since formulating its policy for the new year. This group, which met at San Francisco, is the sales force operating in the Western territory. At each of these get-togethers various pictures of the new season's output have been screened. Will H. Hays, president of the Motion Picture Producers & Distributors, surrounded by "partners in the business." The picture was taken at the R-C studio on the West Coast. On his right are Emil Offeman, studio manager; P. A. Powers, managing director of R-C Pictures and F. B. O.; Johnnie Walker and Carter DeHaven.