Exhibitors Herald (Jul-Sep 1922)

68 EXHIBITORS HERALD September 30, 1922 it and boost it and it will make you money. — J. E. Courter, Courter theatre, Gallatin, Mo. — Neighborhood patronage. The Gilded Lily, with Mae Murray.— This picture pleased all who saw it. It's different than most pictures. — H. G. Schmidt, Palace theatre, Long Pine, Neb. — Neighborhood patronage. Enchantment, with Marion Davies. — A dandy good comedy which pleased but did not draw. — K. J. Uglow, Strand theatre, Whitewater, Wis. The Crimson Challenge, with Dorothy Dalton. — Thrilling western with lots of action. Business good. Pleased all.— E. S. Sutter, Princess theatre, Kansas City, Mo. — Neighborhood patronage. Under the Lash, witli Gloria Swanson. • — Well acted and produced, but has no entertainment value for our trade. Very little action and no comedy relief or intimate touches to take the curse off. — E. L. Franck, Oasis theatre, Ajo, Ariz. — Neighborhood patronage. Over the Border, with a special cast. — An ordinary picture. Gave fair satisfaction. Did not draw. — K. J. Uglow, Strand theatre, Whitewater, Wis. Her Own Money, with Ethel Clayton. — A dandy little picture and pleased 90 per cent. — J. F. Courter, Courter theatre, Gallatin, Mo. — Neighborhood patronage. Experience, with Richard Barthelmess. — One of the best pictures I have used this Summer. Received many favorable comments on it from my patrons. Book it and advertise it big. — J. W. Andresen, Rialto theatre, Cozad, Neb. — Neighborhood patronage. On With The Dance, with Mae Murray. — Fair. Film in bad condition. — J. J. R. McLaughlin, Jim's theatre, Poland, N. Y. — Neighborhood patronage Everywoman, with a special cast. — Went over fine and plenty of good comments. Title drew and we packed them in. — W. F. Hammond, Almont, Mich. — Neighborhood patronage. Bought and Paid For, with a special cast. — An ordinary program picture. — K. J. Uglow, Strand theatre, Whitewater, Wis. Bought and Paid For, with Jack Holt and Agnes Ayres.— Here is a picture that pleased 100 per cent. A good story, a good cast, a good Paramount picture.— E. S. Sutter, Columbia theatre, Kansas City, Mo. — Neighborhood patronage. Passin' Through, with Douglas MacLean. — Good comedy drama that kept the audience in good humor, and sent them home smiling.— W. P. Perry, Rialto theatre, Cheyenne Wells, 'Colo. — Small town patronage. The Woman God Changed, with Seena Owen. — Played to good business and everybody well pleased. Intensely interesting from start to finish. — P. E. Doe, Electric theatre. Arcadia, Neb. — Neighborhood patronage. Her Husband's Trademark, with Gloria Swanson. — Fine gowns, a well directed plot, and a finale of thrills, makes this an acceptable offering that pleases both men and women. Ran Larry Semon in "A Pair Of Kings," and had no apologies to offer on the strength of my program. — B. C. Brown, Temple theatre, Viroqua, Wis. — General patronage. The Inside of the Cup, with a special cast. — Book it and then forget your troubles. This one will make you money if you show it every night, as people will come back to see it. — E. E. Divinia, Opera House, Breckenridge, Mo. The Woman God Changed, with a special cast. — Good picture. Pleased all, although one dance should have been cut out. I made some money at advanced admissions. — W. D. Patrick, Cozy theatre, Florala, Ala — Neighborhood patronage. Chickens, with Douglas MacLean — Fair comedy but costs too much. — Amsberry & Leuzinger, Carthage theatre, Carthage, S. D. — Neighborhood patronage. Held By the Enemy, with a special cast. — This is one of the best of the Civil War time plays. The cast and whole production is good. It pleased our patrons.-— C. E. Johnson, Paramount thea tre, Gibbon, Neb — Neighborhood patronage. The Jucklins, with Monte Blue. — ■ Personally thought this was woefully slow and so remarked to several and to my amazement they came back at me and said that I missed the Southern charm; that I missed the quaintness of old Jucklin, who loved to fight his rooster's; that the play followed the book to a T. I bow to their superior judgment, mentally wishing that fifty more people had turned out to breathe in some of that Carolina atmosphere and then I would have just broken even. — Philip Rand, Rex theatre, Salmon, Ida. Saturday Night, with a special cast. — A lavish production in every sense of the word. Ran it for four of the hottest days of the season. Universally liked, but made no money. It seems that really fine pictures cost the producer too much. What? — Clark & Edwards, Palace theatre, Ashland, O. — Neighborhood patronage. The Mystery Road, with David Powell. — A very pleasing picture although my patrons did not rave about it. English pictures do not go much with me. I lost money on it. — W. D. Patrick, Cozy theatre, Florala, Ala. — Neighborhood patronage. Always Audacious, with Wallace Reid. — While considerably different from most of Reid's productions, he does some good work in it and it went over mighty well with us. — C. E. Johnson, Paramount theatre, Gibbon, Neb. — Neighborhood patronage. The City of Silent Men, with Thomas Meighan. — A very good picture showing the inside of prison life. Everyone said it was good, and it is. — H. P. Thompson, Liberty theatre, Pardeeville, Wis. — Neighborhood patronage. Too Wise Wives, with a special cast. — Not up to standard of Weber pictures, but a very good picture. Does not please. — E. E. Divinia, Opera House, Breckenridge, Mo. The Princess of New York, with David Powell. — Fair. The title killed it, though. English pictures don't go here. — S. G. Ihde, Photoplay theatre, Ashland, Kan. — Neighborhood patronage. The Love Special, with Wallace Reid. — Good picture but no drawing power. — H. L. McDonald, Royal theatre, Malvern, Ark. — Neighborhood patronage. Burglar Proof, with Bryant Washburn. — This is a good comedy-drama and pleased all who like something light. — C. E. Johnson, Paramount theatre, Gibbon, Neb. — Neighborhood patronage. Something to Think About, a Cecil B. DeMille production. — Many fine compliments on this one. An artistic piece of work with a fine story. The kind of picture that will go anywhere, anytime. — H. P. Thompson, Liberty theatre, Pardeeville, Wis. — Neighborhood patronage. The Affairs of Anatol, a Cecil B. DeMille production. — Forget it. If you don't you will always wish you had. Played it some time ago. Paramount got all my money. I got the experience. — E. E. Divinia, Opera House, Breckenridge, Mo. Travelin' On, with William S. Hart. — Bill didn't get converted, he didn't shed any tears, and there was plenty of action, so the picture suited the Hart fans exactly. They all came, too. — E. L. Franck, Oasis theatre, Ajo, Ariz. — Neighborhood patronage. Don't Tell Everything, with a special cast. — A good picture, but Paramount had a dream when it made the price on it. Buy it right and make yours. Do not