Exhibitors Herald (Dec 1924-Mar 1925)

Record Details:

Title:
Exhibitors Herald
Date:
Dec 1924-Mar 1925
Volume:
Exhibitors Herald (Dec 1924-Mar 1925)
Leaf #:
000593
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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January 31, 1925 EXHIBITORS HERALD 11 “LOCKED DOORS” “One of the better films of an unusually good season. An excellent photoplay far removed from the beaten paths.” — N. Y. Evening Sun. “LOCKED DOORS ’ “I doubt if Cecil B. De Mille could have given us a more sensational domestic triangle. The picture is to be commended for its charm.” — N. Y. American. “LOCKED DOORS” “Betty Gompson is lovely to look upon, and, as usual, gives an interesting and diversified performance. It w^as good to see Theodore Roberts back again.” — N. Y. Evening Post. “ ‘Locked Doors’ hits the mark. An audience-pleasing picture.” — N. Y. Morning Telegraph. “LOCKED DOORS” William de Mille’s production of the story by CLARA BERANGER. With BETTY COMPSON, Theodore Roberts and an all-star cast. ONE OF THE FAMOUS FORTY Q>aramount Q>ictures Member Motion Picture Producers and Distributors of America, Inc. — Will H. Hays, President.