Exhibitors Herald (Dec 1924-Mar 1925)

Page scan 000818 from Exhibitors Herald

Record Details:

Title:
Exhibitors Herald
Date:
Dec 1924-Mar 1925
Volume:
Exhibitors Herald (Dec 1924-Mar 1925)
Leaf #:
000818
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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18 EXHIBITORS HERALD February 14, 1925 . ' T I N T ‘FIND YOUR MA DarvI P» J^NEMARLOwra"rH.^st"a' « Directed by Mai St. cfal ' thoroughly satisfact, one of the best r '^eever seen with a do. [MNOCEMCB” Wharton s t-om ,h Beverly Bayn M3ry Roberts^ . Wesley P-^SS t interestii^S time and we ,e one of the ,hotoplaYS*” pictures see. predict that year’s most VPERBROS Classics of the Screen ^ Pictures Are the Rule -Not the Exception with Warner Bros.^-*, “THE LOVER OF CAMILLE From David Belasco's Stage stJCCess, "DEBURAU". With MONTE BLUE and MARIE PREVOST. <1 Directed by Harry Beaumont. “ a most interesting picture. Harry Beaumont has caught much of the delicacy that charactemed David Belasco’s stage play. — N. Y. American “THIS WOMAN” From Howard Rockey's Novel. ? With IRENE RICH, q Directed by Phil Rosen. “A strong cast, ably directed in a story that has many elements of popular appeal, makes this feature an asset to the average box office.” — N. Y. Morning Telegraph o'.'''°''ei A Or)aX‘"'^‘n ft ever ^na