Exhibitors Herald (Dec 1924-Mar 1925)

Page scan 000824 from Exhibitors Herald

Record Details:

Title:
Exhibitors Herald
Date:
Dec 1924-Mar 1925
Volume:
Exhibitors Herald (Dec 1924-Mar 1925)
Leaf #:
000824
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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24 EXHIBITORS HERALD February 14, 1925 —it's ner 2r e ate st / and of course it's ct First National Picture reviewed byNewYorl\, critics at the beautiful new COLONY THEATPvE “I thought ‘Secrets’ was her greatest screen achievement— But that was before I saw ‘The Lady’.” New York American. “A photo-melodrama worth an hour and a half of any one’s time.” New York Times “Norma Talmadge does the best work in her career in ‘The Lady’. It is not too much to say that Broadway has not seen a better story, better directed or better acting in many moons.” Graphic “ ‘The Lady’ is the best thing Norma Talmadge has ever done.” • New York Tribune “She has never done more excellent acting or tugged more tightly at the heart strings.” Daily Mirror “ ‘The Lady’ is a humdinger, a film which strikes a note well up on the scale of story writing, production and acting.” Evening Post %)rnui ahmdoc Foreign Ri^u ConuoUed Fim Nahonal Pmuies Ine. Madison Avenue. New \brk