Exhibitors Herald (Dec 1924-Mar 1925)

Record Details:

Title:
Exhibitors Herald
Date:
Dec 1924-Mar 1925
Volume:
Exhibitors Herald (Dec 1924-Mar 1925)
Leaf #:
0001015
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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February 28, 1925 EXHIBITORS HERALD 43 Film News PICTORIAL SECTION Stories Told in Pictures of Exhibitors Herald Issue of February 28 by the Camera Edgar B. Hatrick, general manager International Newsreel Corp., and James R. Grainger, sales manager Metro-Goldwyn combine, on the sands of Miami, Florida. Signing the Papars William Beaudine is here seen signing his new contract with Warner Brothers, while Jack Warner, production manager, Benny Ziedman, assistant, and Sam Warner, vice president of the company, are interested witnesses. Jack Ford, William Fox’s stellar director in his library. He is now making “Once to Every Man’’ and directed that other Fox success “The Iron Horse.” John L. Murphy, production manager of Harold Lloyd Corporation, greets General Manager William R. Frazer on his return to Hollywood after a three months’ business trip to Great Britain and Europe. Here’s “Midgie,” just a pint of English Yorkshire terrier, who parks herself in a tea cup. You’ll see her in the Intern a t i o n a 1 Newsreel released through Universal. Doris Kenyon, vacationing in the A d i r o ndacks. She has just completed w ork on “I Want My Man” with Milton Sills, First National attraction.