Exhibitors Herald (Dec 1924-Mar 1925)

Record Details:

Title:
Exhibitors Herald
Date:
Dec 1924-Mar 1925
Volume:
Exhibitors Herald (Dec 1924-Mar 1925)
Leaf #:
0001144
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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26 EXHIBITORS HERALD March 7, 1925 HEART?''' TEMPTRESS" CLOSE-UP SAYS: STARR//VC BARBARA LAMARR AfVD “I’ve seen ‘ ‘HEART OF A TEMPTRESS.’’ And it lives up to all 1 ve heard about it from the “wise boys.” You can chalk it down in the little back pocket memo book as a sure thing for the box office. Why? Because “HEART OF A TEMPTRESS” is one of those rare things — a picture with a story, a beautiful love story trimmed with corking melodramatic touches, real comedy relief and natural acting, moulded into enjoyable entertainment under the master touch of Phil Rosen. Barbara La Marr and Conway Tearle will * stand em up anywhere, not to mention Harry Morey, Arnold Daly, Clifton Webb, Ben Finney, Florence Auer, Ida Darling, Florence Billings and William Ricciardi. CONWA/ TEARLE WITH A SUPPORTINGCAST THAT WILL "STAND’ EM UP" ANYWHERE FROM THE BROADWAY STAGE SUCCESS "MAIL AND FAREWELL" ^WILLIAM MURLBURT adapted by FREDERIC AND FANNY HATTON A I, I, SAW'YEIl LUBEN PRODUCTIONS MADE UNDER SUPERVISION OF ARTHI’R H. SAWYER Phil Rosen Reads the Script to Barbara La Marr A SAWYER-LUBIN PRODUCTION DIRECTED BY PHIL ROSEN "THE MAN WHO MADE ABRAHAM LINCOLN** FIRST NATIONAL PICTURE