Exhibitors Herald (Dec 1924-Mar 1925)

Page scan 0001227 from Exhibitors Herald

Record Details:

Title:
Exhibitors Herald
Date:
Dec 1924-Mar 1925
Volume:
Exhibitors Herald (Dec 1924-Mar 1925)
Leaf #:
0001227
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

March 14, 1925 EXHIBITORS HERALD 15 Rational Picturej^ I First 363 Mac Rights Controlled by National Pictures Inc Madison Avenue, New \brk Members / Motion Picture Producers *nd Distributors of America Inc.~'Wlll Hays JVesWent PLAYING with SOULS Presented by the Thomas H. Ince Corporation. With Jacqueline Logan, Mary Astor, Clive Brook and Buster Collier. Adapted by C. Gardner Sullivan from the story by Countess de Chambrun. Directed by Ralph Ince and supervised by John Griffith Wray. A story that holds the attention every minute; that has heart throbs and thrills; that cannot fail to entertain. A cast of box office names, and the setting — gay Paree at its gayest. AS MAN DESIRES With Milton Sills and Viola Dana. Presented by First National Pictures, Inc. From Gene Wright’s novel “Pandora La Croix.” Adapted and supervised by Earl Hudson. Directed by Irving Cummings. Scenario by Marion Orth. Editorial direction by Marion Fairfax. Art director, Milton Menasco. Photography by Roy Carpenter. Charles Hunt, film editor. Two great favorites at their best and a combination of masculine and feminine appeal seldom found in any screen drama.