Exhibitors Herald (1926)

Page scan 0001124 from Exhibitors Herald

Record Details:

Title:
Exhibitors Herald
Date:
1926
Volume:
Exhibitors Herald (Jun-Sep 1926)
Leaf #:
0001124
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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September 4, 1926 36 EXHIBITORS HERALD Corinne Griffith shows her F. N. director a letter she has found written by Empress Josephine of France, 1802. Richard Wallace, L. In the cast of “Dancing Days,” Preferred picture presented by J. G. Bachmann, are Helene Chadwick, Lillian Rich, Sylvia Ashton, Gloria Gordon, Forrest Stanley, Thomas Ricketts. Ben Friedman signs Columbia contract for Minneapolis and surrounding territory. Standing is Jack Cohn, of Columbia. E. W. Hammon’s interest secondary to his interest in Educational's activity is his horses. The film executive states that the horse here, “Gayboy,” is a full blooded English hackney. “Sire Clayton, 303. Dam — Irvington Pa tience.” Estelle Taylor’s first work with United Artists has been seriously impeded with the death of Valentino. She was to have played in his next film. Louis B. Mayer entertains dignitaries of the church at the Metro-Goldwyn-Mayer studios. Director John S. Robertson appears in the center of the picture in white trousers. Looking over his shoulder is Norman Kerry. The young woman is Patricia Avery. At her right is Archbishop Harty of Ireland. Next to him is Bishop Cantwell of the Los Angeles diocese. The still was made on the set of “Annie Laurie” which stars Lillian Gish.