Exhibitors Herald (1927)

Record Details:

Title:
Exhibitors Herald
Date:
1927
Volume:
Exhibitors Herald (Sep-Dec 1927)
Leaf #:
000344
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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EXHIBITORS HERALD sv o* ,tvte« ovc •Yie* ,vt»s E*P pro'-*"'* m '4p 4> ? A m CHALLEN G (Tjavid barrist in one of his trenchant <3*-'' editorials in Ehe Exhibitor says: When the safety of their patrons is concerned the theatremen are not lax in improving their houses. Mr. Barrist was referring to the marvel among modern safety developments, the Sentry Safety Control. When attached to any standard projection machine, it is a 100% guard against fire-danger, hitherto the menace of millions of patrons, the nightmare of thousands of owners. His statement is a challenge to 15,000 Exhibitors in the United States. It is not conceivable that a single one will fail to meet it . . . Costs only a few cents a day. in CO RPORATION 13th and Cherry Sts., PHILADELPHIA 1560 Broadway, NEW YORK And All Branches of NATIONAL THEATRE SUPPLY COMPANY