Exhibitors Herald and Moving Picture World (Jan-Mar 1928)

February 11. 1928 EXHIBITORS HERALD an d MOVING PICTURE WORLD 27 Nobody, we suppose, likes his malted milk accompanied by this Ordering the meat for dinner in Chicago. It seems Phyllis Haver sort of thing. Still, it happens at the best regulated soda fountains. wanted beef kidneys, while Victor Varconi, being stronger, had a The tense episode pictured was adapted from life for "Speedy," better chance to indulge his desire for lamb chops, off the end. Yet Harold Lloyd's new Paramount comedy, in which destiny frequently Smith 8C Wesson makes everyone equal! So— But see "Chicago," makes a frappe out of his good intentions. Pathe's interpretation of that lively metropolis. More professional jealousy! Does Ranger care that Director Jerome Storm cut his favorite scenes from "The Law of Fear" (F B O)? Observe his appeal to the author, William Francis Dugan (seated). Anny Ondra, of Czechoslavakia, who has been given the lead in "God's Clay," First National production which has just been put into work at the Elstree studios in London. The problem was: Which to picture, Dorothy Dwan and Nick Grinde, leading woman and director for M-G-M's adventurer, Tim ^IcCoy — or, the performing oompus? This is the correct solution. What's wrong with this picture? Paul Terry of Aesop's Fables One good laugh deserves another, and these two co-operate to that fame (left), had complimented Rudolph Schildkraut on his char end. He does it, and he says it. Result: nation-wide guffaws, acterization in a scene for Pathe's "His Country." Schildkraut re Jimmie Adams, on your left, is the doer, while Al Martin, is the plied, "The credit, sir, is due my director, William K. Howard. 99 sayer, by virtue of his privilege of titling Paramount-Christie Two insignificant prizes will be awarded the winners, perhaps. comedies.