Exhibitors Herald and Moving Picture World (Oct-Dec 1928)

Record Details:

Title:
Exhibitors Herald and Moving Picture World
Date:
Oct-Dec 1928
Author:
Quigley Publishing Company
Publisher:
Chicago, Quigley Publishing Company
Volume:
Exhibitors Herald and Moving Picture World (Oct-Dec 1928)
Leaf #:
000148
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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4 EXHIBITORS HERALD and MOVING PICTURE WORLD October 20. 1928 medal on you for "The Wedding March"! Silent or with its magnificent musical score and sound effects, it is your greatest achievement! Worthy to stand beside "Wings" and "The Patriot" and the other history-making productions that make this Paramount's Greatest Year! 66 The Wedding March" joins Paramount^ army of hits! Latest news from the box-office fronts: Add Minneapolis, Salt Lake City, Oklahoma City, and Portland to long list of records smashed! "THE FLEET'S INI" Clara Bow hit breaks all-time record at Paramount Theatre, N.Y., by more than $2000. 1 "THE PATRIOT" Completes eighth capacity week, Kialto, N.Y., smashes record Bridgeport, other key cities. "HOCKS OF HEW YORK" Paramount Theatre, N. Y. record topped by $7000. Week-end record, Granada, San Francisco. ON THE WAY: Anne Nichols' "Abie's Irish Rose" (talking and singing); "Interference," Paramount's first 100% talking picture; "Redskin" (successor to "VanishingAmerican"and almost all in Technicolor) ; "Sins of the Fathers." PARAMOUNT^ GR 7M*