Exhibitors Herald and Moving Picture World (Oct-Dec 1928)

Record Details:

Title:
Exhibitors Herald and Moving Picture World
Date:
Oct-Dec 1928
Author:
Quigley Publishing Company
Publisher:
Chicago, Quigley Publishing Company
Volume:
Exhibitors Herald and Moving Picture World (Oct-Dec 1928)
Leaf #:
000424
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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LJ MtKMEIimMJgiKlS MOTION PICTURES TODAY Yeah! Box Office! "Marriage by Contract," the new^TrjtdriyStahl special, is a motion picture^H^fnay be described as a natural box-office (attraction. Its theme is trial marriage and the effe:tive manner in which the disasters of the corr p; inionate idea are demonstrated will make it a ( 01 ivincing subject to the general public. The ti n :liness of the theme is beyond question. In the picture Patsy Ruth Miller does the finest work of her screen career. M ith advanced ideas on the subject of marriag< she contracts four different alliances and each of these wedded episodes is more disastrous than the previous one. The picture is lavishly Droduced, with attractive settings, finely photogrir hed and well directed by James Flood under (hi supervision of John M. Stahl. Robert Edeson is one of the featured members of a strong ca ;t "Marriage hv Contract" is a iubess picture and should beja clean-up for exhibitors.j the new big TifTany-Stahl "Marriage by Contract" Patsy Ruth Miller marries pc ial I ich I iur times in eight reels atrcs something with whi bring in the crowds. James directed it under the prod supervision of John M. St.ir|l Robert Kdcson and other petcnt players are promincn large cast. "Marriage by Cor : i a frank but careful handl the trial marriage plan sltow orking out. its mistakes ar TIFFfl Ny~</>Td U L PRODUCTION,/5 IN MEW yoRK-cn