Exhibitors Herald and Moving Picture World (Oct-Dec 1928)

Record Details:

Title:
Exhibitors Herald and Moving Picture World
Date:
Oct-Dec 1928
Author:
Quigley Publishing Company
Publisher:
Chicago, Quigley Publishing Company
Volume:
Exhibitors Herald and Moving Picture World (Oct-Dec 1928)
Leaf #:
000439
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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November 3, 1928 EXHIBITORS HERALD and MOVING PICTURE WORLD 29 w Film Metis in Pictures PICTORIAL SECTION Stories Told by the Camera Sam Harris, editor of Today's Cinema, London film trade journal, at his desk, on which lodges the cup which he will award, as the placard says, the person who does most for good will between the film trades of England and America. What more need be said? The method and its effect presented in the cerpt from Miss Moore's letter. The place was Catalina, where the First National star was on a brief vacation (!). Seeing where and how what he sells is made. F. A. Enders (left), who handles Columbia product in England, is shown while on a visit to the studios in Hollywood. Frank Capra, director of "Submarine," and Jack Cohn, treasurer of the company, are shown with Enders, giving him the low-down on what he can promise the showmen back home. Were this an oil, it would bear the clever title of "Lady and Dog." A study of Lassie with her mistress, Billie Dove, First National star, it merits, we feel, the admiration of dog and Dove fanciers throughout Jie world.