Exhibitors Herald World (Jul-Sep 1929)

Page scan 0001085 from Exhibitors Herald World

Record Details:

Title:
Exhibitors Herald World
Date:
Jul-Sep 1929
Author:
Quigley Publishing Company
Publisher:
Chicago, Quigley Publishing Company
Volume:
Exhibitors Herald World (Jul-Sep 1929)
Leaf #:
0001085
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

INA CLAIRE "THE AWFUL TRUTH" Story by Arthur Richman, Directed by Marshall Neilan, Supervised by Maurice Revnes. Dialogue directed by RoUo Lloyd. Adapation by Arthur Richman. Horace Jackson. "THE SOPHOMORE" with Eddie Quillan Sally O'Neil, Jeanette Lofff From the story by Cory Ford Supervised by William Conselman. Directed by Leo McCarey. Adaptation by Joseph Franklin Poland. "LUCKY IN LOVE" Morton Downey Betty Lawford Story and dialogue by G.eue Mar key. 'Original songs by Bud Green and Sam H. Slept. Musical Director Sacha Buncbuk. Directed by Kenneth Webb. Supervised by Robert Kane. pictures iii lakes RECO I A CLAIRE in THE AWFUL TRUTH, a production of wooous power and appeal, is rated by reviewers as the most dtinctive personality that has come to the talking screen — aioteworthy addition to the stellar ranks of Hollywood. B3 NEWS with ROBERT ARMSTRONG and CAROL LOMBRD is classed by foremost critics as the most realistic, riioan story of newspaper life ever filmed. LCKY IN LOVE with MORTON DOWNEY is an all5i ;ing, all-talking sensation; novel, fascinating, with sure-fire auience appeal. 1] PAT H E