Exhibitors Herald World (Oct-Dec 1929)

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52 BETTER THEATRES SECTION OF October 26, 1929 Why take a chance on an amplifier breaking down in the midst of a pleasant and profitable program? What is more aggravating to the audience and sponsors of a public program than delays and poor performance due to faulty equipment? To insure a successful affair, it is important that every detail of equipment is properly taken care of. An amplifier which fails to function properly always mars the evening regardless of how perfect other equipment may be. Are you risking a good reputation to save money on old, worn out or inferior equipment? The Webster Company and its competent and experienced engineers have spent time, money and effort to improve Webster equipment to the highest possible degree; and in the new types of amplifiers and faders, RP-250 and model "B" Fader Unit, their efforts have been realized. Webster power amplifiers are manufactured in a variety of models to suit almost any requirement. You can depend on Webster for faithful reproduction. You can depend on Webster for quality and workmanship backed by fifteen years of experience in radio and electrical manufacturing. Let Webster engineers help you with your problems. Absolutely no obligation on your part. Write today for complete information. THE WEBSTER CO. 850 Blackhawk St., Chicago, 111. Exclusive Canadian Distributor Radio Industries of Canada. Ltd., Winnipeg, Canada >wn in the — Model B variable Fader Unit. Can be switched from sound on disc to sound on film. Equalizers allow matching output of pick-ups for uniform setting on each projector. Net weight 7 lbs. Price, $70.00. RP 2 5 0 Amplifier. Complete double channel type. Net weight 200 lbs. Price complete, $700. Less control panel, $550. Power Amplifiers SYNCHRONOUS ^ NON-SYNCHRONOUS ™ ^| Senior Model $995.00 Junior Model 795.00 Non-Sync 295.00 Non-Sync without Amplifier or Speaker 150.00 (Can be used with any synchronous equipment) No alterations— -^No interference with performances Perfect synchronization— Tonal quality better than equipments selling at several times the price Test installations without obligation, made for theatres with acceptable financial references Immediate delivery Many satisfied customers— Literature on request. ADSWIN CORPORATION 727 Seventh Avenue New York, N. Y. visions being made so that conduit wiringcan be run right into the box. The fader itself incorporates a change-over switch enabling it to work on either disc or soundon-film equipment. It is equipped with a dummy fader, coupled with the fader through a set of gears. The dummy, in outward appearance, is exactly the same as the fader itself, with the exception that the switch is left off. The Operadio company also has a new public address speaker of a reflecting type, which means that it is possible to understand what is being played at right angle? to the speaker itself. The fact that the speaker is uni-directional permits the use of only one speaker. The design permits highs to be radiated from one side of the cone itself, while the lows being radiated from the other side of the cone, are reflected from the bowl. This speaker is actuated with a standard Operadio electrodynamic ten-inch cone speaker. Because of its shallowness, it can be mounted on a batten and flown into the loft. PEERLESS-TONE FEATURES of a new reproducing device, the Peerless-Tone manufactured by the Clyne Engineering Company, Inc., of St. Louis, are a dynamically balanced motor unit, double channel amplification, independent support of the motor unit and special driving arrangement permitting attachment to the projector in a small space. J. N. Clyne, head of the company, has been a designer of machinery for 35 years. R. S'Renco is sales manager. IT S ACOUSTICS POOR acoustics rather than poor sound equipment account in a large measure for the low grade of sound in many theatres, in the opinion of W. B. King, president of King Studios, Inc., of Dallas. "It has been definitely demonstrated," he declares, "that theatres with good acoustics are the ones profiting by the sale of talking pictures. "I receive letters daily from all parts of the United States, some of them from manufacturers who have salesmen out covering the country, and the same conditions exist everywhere. It is absolutely impossible for manufacturers of sound equipment to make satisfactory installations in theatres where acoustics are bad."