Exhibitors Herald World (Oct-Dec 1929)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

50 EXHIBITORS HERALD-WORLD November 2, 1929 THE THEATRE First Sell Yourself on Newspaper Ads Then Sell Your Patrons In this article is described and illustrated the use of engravers ink in making art layouts for theatre newspaper ads. Its advantages are for the exhibitor who cannot afford the cost of an artist and the expense of having plates made. FIRST sell yourself on your newspaper ads and then sell your patrons is the code for merchandising a theatre advanced by George L. Phelman, display advertising manager of the Illinois State Journal, Springfield, Illinois, and who is also handling newspaper advertising of three downtown theatres in that city. Manv claim that it is onlv the attraction that BlanKThedTre BILL JOYCE m THE HUGE, SWINDLE. a biij melodrama Also oilier soLjfcis &"hd organ solo ADULTS. H54 CHILDREN. 15' Here is illustrated the sort of an advertisement which Phelman says is not worth much. It is merely an announcement with nothing in it to sell the public on the theatre or the attraction. GEORGE L. PHELMAN draws the patrons to the theatre but in discussing merchandising, Phelman points out that many exhibitors neglect to find out the potential factors in their theatres, beyond the attraction, which can be merchandised. In selling the theatre and the attractions to the patron, advertising is the medium through which the sale is made and it is this advertising to which the exhibitor should pay particular attention. In the editing of its copy he should first sell himself and then sell his patrons. Many exhibitors, or I might add, most of the exhibitors, especially in the smaller cities do not have the facilities for art work makeup of their newspaper ads and even if they did so they could not afford the extra expense involved. Phelman tells how he uses engravers ink to make effective layouts which does not necessitate the making of a zinc or plate, and this is something which many an exhibitor can well afford to make use of. In discussing theatre merchandising and theatre advertising Phelman says : "Many new businesses have developed during the last ten years, under the heading of amusements, which have added to the ever Th#Je clever Kt« , »>\ i. * Out u»*4 I Here is another illustration of "The Huge Swindle" advertisement which Phelman has revised in layout and copy. It is attractive to the eye and warrants enough reader attention to make a box office sale.