Exhibitors Herald World (Oct-Dec 1929)

Record Details:

Title:
Exhibitors Herald World
Date:
Oct-Dec 1929
Publisher:
[Chicago, Quigley publishing company]
Volume:
Exhibitors herald world
Leaf #:
000976
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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26 EXHIBITORS HERALD-WORLD December 14, 1929 Making horse effects. In these days of sound and things synthetic, James Gleason cannot be surprised at such treatment. To make a cowboy of him without cow or pony, Tom Santschi (left) and Harry J. Brown, director of Ken Maynard pictures, warp the playwright-actor's legs, just for fun between scenes of his "Shannons of Broadway," at Universal. Celebs galore. Shown at lunch at the Warner Brothers studio are some of the stars who made "Show of Shows" a show of shows. Jack Warner, vice president in charge of production, at farther end. Can you name the rest? What's in a name? For example, "All's Quiet on the Western Front." You can see the effect for yourself. Here are Dale Andrews, scenarist; Lewis Milestone, director; Maxwell Anderson, the famous playwright; and George Cukor, stage director. Look at 'em! Just a result of preparing the script for UniversaPs production, of the sensational book by Erich Remarque, at the home of Milestone, who will direct this story of the German side of the war. Portrait of a man finding something wrong with his cigarette lighter. Posed (very convincingly and characteristically, we think) by Monty Collins, Educational's convincing comedian.