Exhibitors Herald and Moving Picture World (Apr-Jun 1930)

Record Details:

Title:
Exhibitors Herald and Moving Picture World
Date:
Apr-Jun 1930
Volume:
Exhibitors Herald and Moving Picture World (Apr-Jun 1930)
Leaf #:
000502
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
March 21, 2024
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28 EXHIBITORS HERALD-WORLD A new portrait of Claudia Dell, in whom the stage has again contributed noteworthy loveliness and talent to the screen. She has been signed by Warner Brothers and will soon appear in “Sweet Kitty Bellairs.” . . and so, dear children, Little Thelma climbed on the great big giant’s lavatory and dived right into the great big giant’s bath. Could she swim? And was the giant mad? Just try and find out, kiddies, in our next story about Thelma Todd during Hal Roach Hour. And now station MGM is signing off. Good night, dear children, mind your parents and someday you all may grow up to be radio announcers!” All wet but happy. Exhibiting something new in final clinches, as Marjorie Beebe and George Duryea go in for deep sea kissing during the ultimate footage of a new Mack Sennett Comedy, “Radio Kisses.” This picture, produced for Educational, is an all-talker, about half of which was made by what, we are told, is Sennett’s own new color process. For this scene the camera, with special arrangement, went down with the players. A new arrival at the Universal ranch. Ken Maynard, Universal Western star, with the youngster (only four days old when this picture was taken) he found the other day in his corral.